CAST
(in order of appearance)

Tom - ADAM WYLIE*
Morgause - VIBECKE DAHLE
Mordred - JOSH GRISETTI*
Dinadan - SHAWN J. DAVIS*
Lionel - JEREMY STOLLE*
Sagramore - SAL SABELLA*
Merlyn - ADAM WYLIE*
Arthur - JOSEPH DELLGER*
Guenevere - NILI BASSMAN*
Unicorn  - SAE LA CHIN*
Owl - DANA STEER*
Swan - KELLY CRANDALL*
Nimue - MICHELLE LIU COUGHLIN*
Page - ADAM WYLIE*
Lancelot - MAXIME ALVAREZ DE TOLEDO*
Dap - DANA STEER*
Green Boy - ADAM WYLIE*
Pellinore - DAVID COFFEE*
Lady Sybil - KELLY CRANDALL*
Clarius - JEFF METZLER
Tumblers - JOE AARON REID*, VINCENT RODRIGUEZ III*
Ribbon Dancer - VIBECKE DAHLE
Flag Twirlers - JEFF METZLER, VINCENT RODRIGUEZ III*, VIBECKE DAHLE, KELLY CRANDALL*
Ozanna - VINCENT RODRIGUEZ III*
Lady Anne - KYM CHAMBERS
Morgan Le Fey - ADAM WYLIE*
Tom of Warwick - ADAM WYLIE*

UNDERSTUDIES & STUDY COVERS
There will never be a substitute for players unless a specific announcement for the appearance is made at the time of the performance.
Understudy for Arthur - SEAN J. DAVIS*;
Lancelot - JEREMY STOLLE*; Mordred - DANA STEER*; Pellinore - SAL SABELLA*
Study Cover for Guenevere - MICHELLE DYER;
for Tom of Warwick/Merlyn/Morgan Le Fey - JEFF METZLER

Assistant Stage Manager - ALICIA REECE*
Assistant Stage Manager - EMILY F. MCMULLEN*
Assistant Musical Director /Rehearsal Accompanist - ROBERT RUCINSKI
Assistant Costume Designer - LISA CALDWELL
Assistant to the Fight Choreographer - MICHAEL YAHN
Scenic Design Consultant - JIM YOUMANS
Dance Captain - KELLY CRANDALL*
Fight Captain - SHAWN J. DAVIS*
Keyboard Programming - CYNTHIA M. COOK
Armorer - HELEN FULLER
Original Scenic Design by MICHAEL ANANIA
Costume Design by PAMELA SCOFIELD
Lighting Design by JACK MEHLER
Additional Scenic Designs by JEROME MARTIN
Sound Design by JOHN A. STONE
Wig & Hair Design by GERARD KELLY
Fight Choreography by J. DAVID BRIMMER
Assistant Director / Dialect Coach JOEL FROOMKIN
Production Stage Manager BETHANY FORD
Casting by DAVE CLEMMONS CASTING
Musical Direction by BILL STANLEY
Musical Staging and Choreography by PATRICIA WILCOX
Directed by GABRIEL BARRE

• Member - Actor's Equity Association

Orchestra
Bill Stanley - Conductor
Peter Cokkinias, clarinet;  Rod Ferland, flute, oboe; Jay Daly, trumpet; Alyssa Coffey, horn; Walter Bostian, trombone; Lucy Pope, violin; Zoia Bologovsky, violin; Tim Roberts, cello; Ed Krauss, bass; Mark Worgaftik, percussion; Robert Rucinski, keyboard

WHOS'S WHO IN CAMELOT

JOSEPH DELLGER (King Arthur) With NSMT: Ragtime. Elsewhere: Joe is very happy to return to NSMT, where he performed the role of Father in Ragtime.  He also preformed the same role on Broadway, in Chicago, Vancouver, and on the road.  He was Andre in the San Francisco production of The Phantom of the Opera and performed the role of the Phantom on many occasions as well.  He recently preformed the role of the Standartenfurher in the workshop of Barry Manilow's new musical Harmony.  He was Ed Earl in The Best Little Whorehouse in Texas at the Oklahoma Lyric Theater and was Ben in Follies at the Signature Theater in D.C.   He originated the role of Inspector Hanke in the world premiere of The Visit at the Goodman Theater and was the Padre in the 25th anniversary production of Man of LaMancha at Goodspeed Opera House.

NILI BASSMAN (Guenevere) With NSMT: A Christmas Carol '01. ‘02. Elsewhere: Nili made her Broadway debut covering the lead in Never Gonna Dance (Michael Grief, dir; Jerry Mitchell, chor). Regional/NYC include: Kennedy Center, Goodspeed, PCLO, Manhattan Theatre Source, Confluence Theatre Co. Most recent: Young Phyllis in Barrington Stage's Follies (with Donna McKechnie, Marni Nixon); Tessa in Johnnie G and Noel C (Players' Club, with Rosemary Harris); co-starred as Amy in Tony Walton's acclaimed revival of Where's Charley? (Goodspeed); understudied the Rosemary Clooney role in White Christmas (Walter Bobbie, dir). Other favorites: Abigail (The Crucible -- Michael Rupert, dir.); Jean (Brigadoon - Goodspeed); Masha (The Notebook of Trigorin - Blue Roses); Cassie (A Chorus Line - Mitzi Hamilton, dir); and Ginger Rogers in Ginger, (Marshall Mason, dir; Randy Skinner, chor.) Film/television: Anna, "The Christmas Tree" (Sally Field, dir); Gwen, "The Contender" (UPN); "As the World Turns", numerous commercials. Concerts include Broadway By the Year (Town Hall), Singularly Sensational Broadway (Marvin Hamlisch and the Pittsburgh Pops). BFA Point Park University. Thank you, Gabe, NSMT, and The Shubert for the opportunity to tell this beautiful tale with this extraordinary company.   
 
MAXIME ALVAREZ DE TOLEDO (Lancelot) With NSMT: Debut. Elsewhere: Maxime is thrilled to be making his debut with NSMT! A native of Paris, France, he has performed numerous roles there, including the French versions of Les Misérables (Javert) and The Lion King (Scar).  Maxime spent most of the 2004 touring Europe in Hair, after having completed the national tour of Titanic (Lightoller).  Regional credits include The Sound of Music (Captain Von Trapp) and Gigi (Gaston Lachaille). In NYC: A Life in the Theater, and The Rhythm of Life, a Cy Coleman Celebration. Maxime was also a soloist in a gala concert with Marin Mazzie under the direction of Paul Gemignani. Operatic credits include La Bohême (Colline), Don Giovanni (Leporello) and The Marriage of Figaro (Figaro). Maxime can be heard on the recordings of original cast of Pasatieri's Chekov based The Seagull (Sorin) and Ward's Roman Fever (Eduardo) for Albany Records. Maxime just made his American film debut in One Last Thing, starring Ethan Hawke and Cynthia Nixon, in theatres next December. Merci Chris, Maman, Etienne, Mamie, Papa, Caroline et toute mon incroyable famille.

ADAM WYLIE (Tom of Warwick, Merlyn, Morgan Le Fey, Ensemble) With NSMT: Debut. Elsewhere: Adam made his Broadway debut as Jack in Into the Woods. Played Zach in the Emmy Award winning Picket Fences. Recent TV: "Monk," "Gilmore Girls," "The Division," "Veronica Mars ," "Malcom in the Middle", "Navy NCIS," "Judging Amy," "Ed," "Avatar," "Bratz", "Zoey 101," "Ben 10," Upcoming films :American Pie IV, Return to Sleepaway Camp and Biggest Fan. Also starred in All Dogs go to Heaven 2 and King and I,   Theatre: -Arpad, She Loves Me- Music Theatre West Jimmy , 110 in the shade - Pasadena Playhouse, Favorite roles:  Huck, Big River Chip, On the Town, Chip, Beauty and the Beast(LA company) Freddie Jr., Precious Sons, Sondheim's 75th birthday celebration at the Hollywood Bowl. Two-time winner Hollywood Reporter Young Stars Award.. Love to Mom, Meagan & Riley. www.adamwylie.com

JOSH GRISETTI (Mordred) With NSMT: Debut. Elsewhere:  An alumnus of The Boston Conservatory, Josh is delighted to be returning to Boston for his NSMT debut!  Boston audiences may remember Josh as Young Buddy in Follies with Overture Productions, Fredrico in The Cask of Amontillado with NOMTI, Voltaire/Dr. Pangloss in Candide with TBC or any of his concert appearances, including the Boston Pops.  In NYC, Josh played Mr. Dumby in the off-Broadway cast of After the Ball and is featured on the cast recording.  Favorite regional credits include Reggie in Where's Charley? at Goodspeed, Eugene in Grease at Sacramento Music Circus, and Monterrey Jack in The Pied Piper with Mill Mountain Theatre.  Look for Josh in the upcoming films: The Sandpiper (2005), The Namesake (2006) and Public Interest (2006).  Thanks to God, a very supportive family and DGRW.  www.joshgrisetti.com

DAVID COFFEE (King Pellinore) With NSMT: A Christmas Carol ‘92-‘04, Cinderella, Kiss Me, Kate, The Wizard of Oz, Joseph and the Amazing Technicolor Dreamcoat, Fiddler on the Roof, My Fair Lady, Gentlemen Prefer Blondes, The Will Rogers Follies, West Side Story ‘95, ‘03 Crazy For You, La Cage Aux Folles, The Music Man, and 42nd Street, Phantom ‘92, ‘94,  Singin' In the Rain, Grand Hotel, Brigadoon, South Pacific, Evita, Good News! Elsewhere:  A recent IRNE award nominee for NSMT's Kiss Me, Kate, David returns to play his second "King" this season. He was BRIEFLY seen as the King in Cinderella. (The show too hot for NSMT!) In addition to ten years of touring, David has been welcomed by audiences at Casa Mañana, the Granbury Opera House, Stages St. Louis, the American Musical Theatre of San Jose, Lyric Theatre of Oklahoma, Portland Center Stage, the Dallas Theater Center, the Goodspeed Opera House and, of course, NSMT (where he will return for his 14th season as Scrooge in the theatre's award-winning production of A Christmas Carol.). For more information, please visit: http://community.webtv.net/DavidCoffee/THEDAVIDCOFFEEWEB

KYM CHAMBERS (Lady Anne, Swan, Ensemble) With NSMT: Debut. Elsewhere: Kym is proud to be part of Camelot. Kym spent the past 2 years touring in Cats (Jellylorum). Other credits include Cinderella (national tour directed by Gabriel Barre), Titanic, The Music Man, Big the Musical, Peter Pan and Guys and Dolls. Kym received her BA from St. Olaf Collage and MA from NYU. Love to friends and family who always support the dream!

SAE LA CHIN (Unicorn, Ensemble) With NSMT: Debut. Elsewhere: Sae La is thrilled to be debuting at NSMT in Camelot. She recently performed in West Side Story, Cabaret and The King and I at Sacramento Music Circus. She is currently a Radio City Rockette and has toured nationally with Fosse and The King and I.  She has also performed with the Metropolitan Opera Ballet, Martha Graham Dance Ensemble and in Donald Byrd's Harlem Nutcracker. On Television, Sae La has appeared on "The Macy's Thanksgiving Day Parade," and "Good Morning, America." She received her BFA from UC Irvine and her MFA from NYU. Thanks to Patti for this wonderful opportunity.

MICHELLE LIU COUGHLIN (Nimue, Ensemble) With NSMT: Hair, Children of Eden. Elsewhere: Michelle is delighted to return to North Shore!  Most recently, she has appeared as Tuptim in the National Tour of The King and I starring Stefanie Powers.  Regional:  A New Brain (Waitress/Nancy D.), A Chorus Line (Connie), Sayonara (Hana-ogi), Children of Eden (Yonah), Once On this Island (Timoune).  Recordings:  "Once on this Island" (MTI), "Adventures of Gideon Tanner" (concept album).  Michelle would like to thank her family and Martin for their love and support.

KELLY CRANDALL (Lady Sybil, Ensemble, Dance Captain) With NSMT: Debut. Elsewhere: Broadway and National Tour credits include The Boy From Oz (original cast), The Producers (Usherette, ensemble), A Christmas Carol (ensemble), Dirty Dancing (Broadway Workshop). Regional and other credits include You Never Know (Trinity Repertory, Assistant Choreographer), EFX and LA Opera. Film/TV credits include "What Women Want," "Beautiful," "Tony Awards," "Academy Awards" "Penn & Teller's Sin City Spectacular." Kelly is a graduate of The University of Michigan.

VIBECKE DAHLE (Morgause, Ensemble) With NSMT: Debut. Elsewhere: Vibecke is thrilled to be making her NSMT debut in Camelot. Received her BA from The Norwegian College of Dance and University of Sports in Norway. She is Norwegian Champion in Rhythmic Gymnastics. Shows; Evita (European Tour), Brigadoon, George M, Crazy For You, Beauty and the Beast, Christmas Dreams , Hair, and The Mystery of Edwin Drood. Vibecke has performed at Jacob's Pillow with Notario Dance Company. Thank you Patti, and Germaine.

SHAWN J. DAVIS (Dinadan, Ensemble, u/s Arthur, Fight Captain) With NSMT: Debut. Elsewhere: New York Credits include Match at Cherry Lane Theatre (Alternative), Post-Oedipus in The Living Room Festival at HERE. Regional credits include All My Sons (Chris), The Glass Menagerie (Jim), and Forever Plaid (Sparky and Smudge). Television credits include "As the World Turns." Shawn received his Bachelor of Fine Arts from Southern Methodist University. Thanks to Mom and Dad, and always to Paizhe.

MICHELLE DYER (Ensemble, s/c Guenevere) With NSMT: Thoroughly Modern Millie. Elsewhere: Michelle is thrilled to be back at NSMT where she recently played Ruth in Thoroughly Modern Millie. This summer Michelle performed the role of Young Heidi in the Barrington Stage Co. production of Follies. She has also performed in the Mc Carter production of A Christmas Carol and the national tour of Kiss Me, Kate. Love and thanks to her amazing family.

JESSICA HARTMAN (Ensemble) With NSMT: Debut. Elsewhere: Broadway: The Boy From Oz (Assoc. Choreographer, Dance Captain, Swing). Other NYC credits include The Radio City Christmas Spectacular ('01, '04), Showtune (Off-Broadway, Asst. Director/Choreographer). Workshops: Fascinating Rhythm, The Boy From Oz. Other theatre credits include Goodspeed, La Scala Opera House (Milan, Italy). TV/Film: "Guiding Light," "Zoolander," NY Style Pilates," and "Glitter." Jessica was chosen as a back up dancer for the Rolling Stones "Bigger Bang Tour." B.F.A. FSU. Love and Light to my family in New Orleans & my heart, Jason.

JOE JACKSON (Ensemble) With NSMT: Debut. Elsewhere: Joe is elated to be a part of the NSMT tradition, and this wonderful production. This Atlanta native and Ole Miss graduate has called New York home since 2000, while also touring and performing regionally. His favorite credits include Don Lockwood (Singin' In The Rain), Billy (My One and Only), and Eddie Ryan (Funny Girl). Joe would like to thank his family and friends for their support, and his brilliant wife Amy for her love.

JEFF METZLER (Clarius, Ensemble, s/c Tom of Warwick/Merlyn/Morgan Le Fey) With NSMT: Debut. Elsewhere: Most recently Jeff has toured the nation with both Fosse(Steam Heat) & 42nd Street.  Regional credits include the Walnut St. Theatre(Hello, Dolly!), Gateway Playhouse, Merry Go Round Playhouse, Bucks/Pocono Playhouse, Muhlenberg SMT, & Ann Reinking's Broadway Theatre Project.  Immediately following Camelot he will start off the holiday season early in the Radio City Christmas Spectacular, CAA. A million thank-you's to Mom & Dad, DRJJ&M, & also to NSMT for this great opportunity!

LAUREN PARSONS (Ensemble) With NSMT: Debut. Elsewhere: A recent graduate of the Universtiy of Northern Colorado with a BA in Musical Theatre. Her favorite credits at UNC include Lucy in Jekyll and Hyde, Maggie in "A Chorus Line" and Judy in "Ruthless the Musical".  She was seen last summer at the Papermill Theatre in Lincoln, New Hampshire as Lipshitz in Chicago and Wendy Jo in Footloose.  Lauren is greatful for this opportunity and hopes you enjoy the show!

JOE AARON REID (Ensemble) With NSMT: Debut. Elsewhere: A recent graduate of Ithaca College with a BFA in Musical Theatre. Regional Credits include Ragtime (Papermill Playhouse), Beauty and the Beast (Place des Arts, Montreal). Workshops include Romeo and Juliet: The Musical (Dir. Terrance Mann), Owl Creek (Dir. Jamibeth Margolis). Love and thanks to Mom and Dad.

VINCENT RODRIGUEZ III (Ozanna, Ensemble) With NSMT: Fame: Vincent is happy to say that this is his 2nd production at NSMT this summer.  His last appearance here was dancing in Fame. He just returned from Stages St. Louis playing Garvin in Footloose.  National tour:  42nd Street.  This November, Vincent will be back in Boston dancing, yet again, in Irving Berlin's White Christmas playing at the Wang Theatre.  Proud member of Actor's Equity Association.  Love & thanks to family, friends & PCPA Theaterfest.   www.VR3rd.com

SAL SABELLA (Sagramore, Ensemble, u/s Pellinore) With NSMT: Kiss of the Spiderwoman. Elsewhere: Sal is happy to return to NSMT. Since his last engagement at NSMT he has traveled the nation on two national tours, The Music of Andrew Lloyd Webber (starring Michael Bolton) and Godspell (Original Revival Cast Recording). He has also been involved with many regional and local NYC productions including Romeo + Bernadette (Papermill Playhouse) Jesus Christ Superstar, and a reading of the new musical Poe at Cherry Lane Theatre. Thanks to friends and family.

DANA STEER (Dap, Owl, Ensemble, u/s Mordred) With NSMT: Carousel. Elsewhere: Most recently seen clothed as Claude in Barrington Stage's acclaimed Hair. Before that: Hair in Europe where he did get naked. Some non-Hair credits: Zanna, Don't! Off-Broadway, South Pacific tour (Cable standby), Babes in Toyland (Jack), Joseph and the Amazing Technicolor Dreamcoat (Joseph), Oklahoma! (Curly), Something's Afoot (Geoffrey), Godspell (Jesus), Forty Carats (A play without music), Papermill's Student Prince (geeky freshman student) and countless readings in NYC. Born and raised right here north of Boston; glad to be home! Go Sox!

JEREMY STOLLE (Lionel, Ensemble, u/s Lancelot) With NSMT: Debut. Elsewhere: Jeremy is a Graduate of University of California Irvine. Theater: Tale Of Two Cities (Broadway Workshop), Gaston in Disney's Beauty and the Beast (Fox Theater Detroit, MI / Pioneer Theater, UT/ Disney's MGM Studios, FL), Billy Bigelow in Carousel, Percy in Scarlet Pimpernel (Elly Award Nomination for Best Actor), Jekyll/Hyde in Jekyll and Hyde, Boatswain in H.M.S Pinafore. Concerts; Indianapolis Symphony, Golden West Symphony, and Modesto Symphony. Television; ABC's "All My Children," CBS "As The World Turns," and the FX Channels "Rescue Me."
 
ALAN JAY LERNER (Book and Lyrics) and FREDERICK LOEWE (Music). Alan Jay Lerner got his beginnings writing musicals as a sophomore at Harvard for the Hasty Pudding Club.  His first musical, a1938 collaboration with Nathaniel Benchley and Benjamin Welles, was a satirical salute to Hitler and Mussolini, So Proudly We Hail. The son of a Viennese actor-singer and a piano prodigy himself by the age of four, Frederick Loewe was exposed to music all his life. At thirteen, he debuted with the Berlin Symphony Orchestra and continued to perform in many concert halls after coming to the United States in 1930. Lerner approached Loewe at the Lambs Club in New York in 1942, and the composer/lyricist team was born.  Lerner's first Broadway collaboration with Loewe was the production of What's Up? which ran for a modest eight weeks.  In 1947, their labors paid off with the creation of the fantastical "Brigadoon," winner of the New York Critics' Circle award as the Best Musical of the Year.  In 1948, Lerner wrote the book and lyrics to "Love Life," with the music by Kurt Weill.  He was then commissioned by Hollywood to write a libretto for "An American in Paris," which became the first film musical to win an Oscar.  While Lerner and Loewe were working on their 1951 stage musical Paint Your Wagon, the writing of My Fair Lady began.  Two years after its tremendous Broadway success, the pair collaborated once again on a musical version of "Gigi," which won nine Oscars.  In 1960, four and a half years after My Fair Lady topped Broadway charts, Camelot was brought to the stage.  With Julie Andrews and Richard Burton heading the cast, it had a very successful run of 25 months on Broadway, totaling 873 performances.  After the success of Camelot, Loewe retired to the French Riviera and Lerner continued to write. Despite Loewe's retirement, they collaborated on two more ventures in the early 1970s: The Little Prince and the transference to the stage of "Gigi," the film that they had produced years earlier.

GABRIEL BARRE (Director) With NSMT: Tom Jones, Memphis. Elsewhere: Gabriel Barre recently directed the benefit concert of Pippin at the Manhattan Center starring Ben Vereen and many others. He also directed the national tour of Rodger and Hammerstein's Cinderella, starring Eartha Kitt. His off-Broadway credits include the Manhattan Theatre Club's production of The Wild Party by Andrew Lippa (nominated for 13 Drama Desk Awards and 5 Outer Critics Circle awards, both including Best Director and for which he won the Calloway Award), Summer of '42, Stars in Your Eyes, Honky-Tonk Highway, john & jen and the upcoming, Tom Jones and Almost, Maine by John Cariani. He has a directed many regional productions at numerous theatres including Sweeney Todd, Finian's Rainbow, Houdini and many other new musicals at the Goodspeed Opera House in Connecticut; Stand By Your Man at the Ryman Auditorium in Nashville; and Hay Fever and Pericles for the Shakespeare Theatre of New Jersey. As an actor he has been nominated for a Tony Award and appears often in film and on TV. He recently completed shooting a new independent feature film, The Amazing Floydini, in which he played the lead role. Among his upcoming directing projects is the new musical, Temple at the Seattle Repertory Theatre and a revival of Pippin which will tour the country next year starting at the Goodspeed Opera House.

BILL STANLEY (Music Director) With NSMT: Beauty and the Beast. Elsewhere: This summer he conducted Once on this Island and Beauty & the Beast at the Music Circus (Sacramento), where he previously conducted Brigadoon.  He served as the Conductor of the 2001 National tour of Smokey Joe's Café starring Gladys Knight.  On Broadway, Bill has played keyboard for The Lion King, Seussical the Musical, Annie Get Your Gun, and Harry Connick Jr.'s Thou Shalt Not.  Off-Broadway, he has played for Forbidden Broadway, Dessa Rose, The Thing About Men, and Nunsense A-men and will this fall play for Bingo.    He also served as Musical Director for Kiss Me Kate, My Fair Lady, and Wizard of Oz at Theatre Under The Stars (Houston, Texas).  He is on the faculty of AMDA, the American Musical and Dramatic academy.  Bill is proudly married to singer/actress Carter Calvert, who he recently performed with in the critically acclaimed Forbidden Vegas.

PATRICIA WILCOX (Musical Staging and Choreography) With NSMT: Aida, Smokey Joe's Cafe. Elsewhere: Ms. Wilcox is thrilled to return to NSMT after choreographing last season's production of Aida.  Other credits include Blues in the Night (NYC revival and the national/international companies -Drama Logue Award & NAACP Image Award nomination), Children's Letters to God (Lamb's Theatre), Guys and Dolls (Paper Mill), Seussical The Musical (National Tour), Pirates of Penzance (Missouri Repertory Theatre), The Pajama Game (Marriott Lincolnshire), Jesus Christ Superstar, Cabaret (Sacramento Music Circus), My Fair Lady, HMS Pinafore, and Little Shop of Horrors (Arizona Theatre Company -3 AriZoni's), Die Fledermaus (Arkansas Opera), A Funny Thing... (Moscow Arts Center), FALC@ - A Cyber Show (Vienna), A Magic Night (Stockholm).  She staged original works for the Kennedy Center, Houston Symphony, Minnesota Pops, and Phoenix Symphony.  She teaches at Steps in NYC and is on faculty at Jacob's Pillow. Ms. Wilcox is also the choreographer for ice-skating gold medalist Viktor Petrenko, Ilia Kulik and Ekaterina Gordeeva. Her ice skating endeavors can be seen in Stars on Ice, Champions on Ice and the 2006 Olympics. 
JEROME MARTIN (Additional Scenic Design) With NSMT: Tom Jones (Assistant Scenic Designer). Elsewhere: Jerome is glad to be back at NSMT after working with Jim Youmans and Gabriel Barrie on the American Premiere of Tom Jones, last year. Jerome has worked with this team as an associate/ assistant designer on many productions including Cinderella (Networks National Tour) and the off Broadway production of Summer of 42 (Variety Arts Theatre, NYC). Jerome's design credits include: (off Broadway) Eat the Runt (American Playhouse Theatre, NYC); (off-off Broadway) Vampire Dreams (Altered Stages, NYC); Freakin Giuliani (Sergeant Theatre, NYC) and The Ugly Man (Mephisto Theatre Co.).

JACK MEHLER (Lighting Designer) With NSMT: LD: Thoroughly Modern Millie, Nine, Children of Eden, Little Night Music, Ragtime, Wizard of Oz (with Ken Smith), A Christmas Carol '03-‘04 SD:  West Side Story'03 Elsewhere:  Jack has been designing lighting and scenery based in New York for the last 15 years   His work has been seen at Albuquerque Civic Light Opera, Alvin Ailey American Dance Theatre, American Place Theatre, Body Politic/Seanachai, Buglisi/Foreman Dance, Capital Rep, Chamber Dance Project, Cleveland Play House, Crossroads Theatre, Donald Byrd/The Group, Freedom Theatre, Hubbard Street Dance Chicago, INTAR, The Joyce, Lar Lubovitch Dance Company, Lyric Theatre of Oklahoma, Manhattan Theatre Club, Merrimack Rep, Museum for African Art, Musical Theatre Southwest, 92nd Street Y, The New Victory, Paper Mill Playhouse, Seacoast Rep, Seattle Rep, Stage One (Wichita), Syracuse Stage, Taste of the NFL, Theatre By The Blind, Trollwood Performing Arts School, The Working Theatre and the WPA, among many others.

PAMELA SCOFIELD (Costume Designer) With NSMT: Abyssinia, Tom Jones, Memphis Elsewhere: New York Off-Broadway credits include I Love You, You're Perfect, Now Change, Over the River and Through the Woods, The Summer of '42, and Smoke On The Mountain. She designed the national tour of Cinderella, starring Eartha Kitt. Other New York designs for Musical Theatre Works, CSC Repertory, Hudson Guild Theatre, Jewish Repertory Theatre, and the Vineyard Theatre. For television, she designed several editions of The Grammy Awards at Radio City Music Hall. Regional credits include The Actors Theatre of Louisville, Pittsburgh Public, Huntington Theatre, Atlanta's Alliance Theatre, Palo Alto's Theatreworks, McCarter Theatre, The Berkshire Theatre Festival, Syracuse Stage, over thirty productions for Rochester's GeVa Theatre and many musicals, new and old, for Goodspeed Opera. She recently completed work on A Midsummer Night's Dream for the Asolo Theatre.

JOHN A. STONE (Sound Design) With NSMT: Abyssinia, Cinderella, Fame, Thoroughly Modern Millie, Co-designed A Midsummer Night's Dream (1996), designed A Grand Night for Singing and the 1997-2004 Shakespeare productions and musical seasons. Elsewhere: John received his bachelor's degree in physics and music at St. Lawrence University.  He came to NSMT as an intern in 1995 and is now the sound supervisor and resident designer.  John has also designed Bed and Sofa, The Fever, and Mere Mortals for the Nora Theatre Company in Cambridge. He now owns and runs Addison Audio, an equipment rental and design business intended to provide services to many area schools and organizations.  He would like to thank his wife Nancy and step-daughter Dalya for their love and support.

GERARD KELLY (Hair & Wig Design) With NSMT: Abyssinia, Cinderella, Fame, Thoroughly Modern Millie, The 2002 - 2004 Musical Seasons, Zorba, Joseph and the Amazing Technicolor Dreamcoat, Carousel, Fiddler on the Roof. Elsewhere: Elsewhere: Gerard's New York City credits include The New York Shakespeare Festival, The Joseph Papp Public Theater, Jewish Rep., The Illyria Theater and NYU. Regionally, Gerard has worked The Helen Hayes Theatre, The Walnut Street Theater, and The Lake Tahoe Shakespeare Festival, Maine State Music Theater, The Williamstown Theater Festival, San Francisco's TheaterWorks, San Diego Rep, Sacramento Theater Co., the New Jersey and Idaho Shakespeare Festivals, The Carousel Dinner Theatre, Philadelphia¹s New Freedom Theater, The Northern Stage Co., Westchester Broadway Theater, The Downtown Cabaret Theater and The Geva Theater. Gerard has also created wigs for performers such as the B-52's, Sandy Duncan, Jennifer Holliday, Lypsinka and Brini Maxwell. Gerard's wigs can be seen in the film "Girls Will Be Girls" on Varla Jean Merman.

J. DAVID BRIMMER (Fight Choreographer) With NSMT: Pacific Overtures, Romeo and Juliet, A Midsummer Night's Dream, Hamlet Elsewhere: David has been choreographing violence in New York, as well as regional theaters around the country for over 25 years: from the national tour of Jekyll & Hyde and the recent Obie award winning production of Bug to the Joseph Papp Public Theater's flamenco version of Blood Wedding.  A recognized Fight Director with the Society of American Fight Directors, he is also the creator and current instructor of the Stage Combat Program at NYU's Tisch School for the Arts, and has taught at the Stella Adler Conservatory, the Lee Strasberg Institute, the Playwright's Horizons Theater School, Atlantic Theater Company, RADA, and the Yale Schools of Music and Drama.  David would like to thank his wife, Amy, and his two daughters, Caitlin and Rachel, for their continued love and support.  "...walk cheerfully over the world, answering that of God in everyone."  G. Fox

HELEN FULLER (Armorer) With NSMT: Debut. Elsewhere: Helen has worked in the theater in New Zealand for the past 25 years. Starting in fringe theatre and moving up to professional theater, TV and film. She came to America 5 years ago and is currently working freelance with jobs at Geva Theater Center, Santa Fe Opera and Shakespeare Santa Cruz.

BETHANY FORD (Production Stage Manager) NSMT: Abyssinia, Cinderella, Fame, Thoroughly Modern Mille.  Elsewhere:  Regional credits include: Memory House (Humana Festival, Actors' Theatre of Louisville, world premiere); Topdog/Underdog, The Bay at Nice with Estelle Parsons, and A Christmas Carol (Hartford Stage); Romeo & Juliet: The Musical, co-written and directed by Terrence Mann, The Road To Hollywood (Goodspeed-at-Chester); 5 productions of A Christmas Carol (Trinity Rep); Guys and Dolls (Missouri Rep); Forever Plaid (Michigan Ensemble Theatre); and 10 shows for The North Carolina Theatre, most recently The King and I  starring Lou Diamond Phillips.  Off-Broadway work includes The Waverly Gallery; After-Play; Howard Crabtree's When Pigs Fly; and three seasons as Resident Stage Manager for Signature Theatre Company, working with Pulitzer Prize winners Edward Albee and Horton Foote.  Ms. Ford is a graduate of Chatham College. 

JOEL FROOMKIN (Assistant Director/Dialect Coach) With NSMT: Debut. Elsewhere: Joel is delighted to be working again with Gabriel Barre. Dialect Coach: NYU/CAP21, Paper Mill (Camelot, King and I, My Fair Lady); Nat. Tour King and I, Sandy Duncan. Assistant Director: West End: A Delicate Balance (Maggie Smith, Eileen Atkins), Wood Demon, Vanessa. Regional: King and I (Carolee Carinello), Steel Magnolias (Sandy Duncan), Tenderloin (Patrick Wilson). As Director: Unexpected Man (Judy Kuhn, Charles Shaughnessy) and Thumbs (Kathie Lee Gifford). Workshops: Dorian Grey by Rupert Holmes, Red Badge of Courage, York Theatre. New York: Fastest Woman Alive, La Fenix. London: Odd Couple, True West, Sea Urchins, Gingerbread Lady, and Asking For If at Edinburgh Festival ‘05.

ALICIA D. REECE (Assistant Stage Manager) With NSMT: Abyssinia, Cinderella, Fame, Thoroughly Modern Millie. Elsewhere: Hailing from the metropolis of Watseka, IL, Alicia spent last summer touring South Korea and Japan with Cabaret.  Fresh from the Off-Broadway successes of Bug and Orson's Shadow, her other credits include: Playhouse on the Square (Memphis, TN), The Children's Theatre (Cincinnati, OH), Cincinnati Shakespeare Festival, and two summers at The Barn Theatre (Augusta, MI).  Favorite productions include: Hair, Sideman, W;t, To Kill a Mockingbird, In Rebel Country and Chess. "Much love to my family for supporting me on this remarkable theatrical journey."

DAVE CLEMMONS CASTING (Casting)  Dave Clemmons (CSA), Rachel Hoffman & Sara Schatz.  Broadway: In My Life (Fall '05), The Boy From Oz, Brooklyn, The Civil War, Dracula; National Tours include: Contact, Joseph..., Thoroughly Modern Millie, Cinderella, Evita, The Civil War, Cats, Swing!, Fosse, Jekyll & Hyde, Chicago.  Off-Broadway: The Ark (Fall '05), Bingo (Fall '05), Bare: A Pop Opera, Bat Boy, Love, Janis, Zanna Don't!, Dragapella!, The Donkey Show, 2000 revival of Godspell at the York Theatre.  Numerous NY readings and workshops including Feeling Electric (2005 NYMF Festival), Last Dance (Fall ‘05), Rachel Sheinkin's new musical Serenade (at the Baryshnikov Arts Centre), Mask, Ring of Fire, The Me Nobody Knows.  Regional: Ring of Fire (Buffalo Studio Arena), The Girl in the Frame (Goodspeed), Camelot (NSMT), Dracula (La Jolla Playhouse), Little Shop of Horrors (The Alley), Children of Eden (The Ford's Theatre), Footloose (Marriott Lincolnshire), History of the Word (Crossroads Theatre), Making Tracks (San Jose Rep), Waiting for the Moon (Lenape PAC).

JON KIMBELL (Artistic Director / Executive Producer) Since 1983, Mr. Kimbell, in partnership with NSMT's dedicated Board of Trustees and superior staff, has created one of the finest musical theater companies in the country. Recognized for his commitment to musical theater, Mr. Kimbell has received the New England Theatre Conference Award for Outstanding Achievement in The American Theatre, Salem State College's Lifetime Achievement Award, and the 38th Annual Moss Hart Award for NSMT's adaptation of A Christmas Carol.  In 2004, Mr. Kimbell accepted the 1st Annual Kay Bourne Bay State Banner Award for employing artists of color both onstage and off. NSMT also received the Actors' Equity Association's Rosetta LeNoire Award in 2003 for the theater's outstanding commitment to non-traditional casting.  Mr. Kimbell is responsible for the artistic direction, administration and long range planning of NSMT, as well as the commissioning and development of new musical theater works with Associate Producer John La Rock.  He has directed and produced many critically acclaimed musicals, Shakespearean works, and the premieres of 23 new musicals.  Active in the theater community, Mr. Kimbell has served as an evaluator and panelist for the NEA's Access and Musical Theater Panels, the New Hampshire Commission on the Arts, the Massachusetts Cultural Council, and the Ohio Arts Council.

ROBER ALPAUGH (Executive Director) Joining NSMT in the fall of 2005, Mr. Alpaugh oversees all business operations of the Theatre, and works closely with NSMT Artistic Director and Executive Producer Jon Kimbell to develop long-range administrative goals and strategies.  Prior to joining NSMT, Mr. Alpaugh was Director of Institutional Advancement at the Tony® award winning Victory Gardens Theater in Chicago where he developed and managed a $15 million capital campaign. A 20-year theater and dance industry veteran, Mr. Alpaugh has also consulted for such companies as Chicago Opera Theater and The Joffrey Ballet, and was Managing Director of the Arizona Theatre Company and the Williamstown Theatre Festival.  In the commercial arena, Mr. Alpaugh was involved in transferring Streetcar Named Desire, starring Blythe Danner to Circle in the Square, Sweet Bird of Youth starring Joanne Woodward to the Old Vic in Toronto and The Holy Terror, by Simon Gray, to the Promenade Theatre, NYC.  Mr. Alpaugh is a founding Board member of People With AIDS Theatre Workshop, NYC and Vice-Chair of Dream Halloween - Children Affected by AIDS Foundation. He has served as a panelist for New Jersey Council for the Arts, NEA - Theatre and Musical Theatre and Tucson/Pima Arts Council, and as a Board member of the Chicago Arts and Business Council.

JOHN La ROCK (Associate Producer) Supervises musical and new musical development, along with the Celebrity Concerts. Before NSMT, he served at Houston Grand Opera producing over seventy operas, including an international tour of Porgy & Bess and world premiere productions of The Passion of Jonathan Wade by Carlisle Floyd, Desert of Roses by Michael John LaChuisa, and Four Saints in Three Acts by Robert Wilson. Serves on the board of StageSource, evaluator for NSMT new musicals festival, NYMF producer (Tom Jones).  He has also worked at Goodspeed Opera, Opera Omaha and Chautauqua Opera. John is a graduate of North Carolina School of the Arts.

ACTORS' EQUITY ASSOCIATION (AEA), founded in 1913, represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society.  Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans.  AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org