From the North Shore Youth Group singing carols in the lobby, to the stack of toys collected for the Tiny Tim Toy Drive, you can't help but get wrapped up in the spirit of Christmas.  This spirit continues as you delight in the North Shore Music Theater's A Christmas Carol.

With imagination, the theme of the evening, David Coffee gradually transports you into the life of Ebenezer Scrooge in a pleasantly engaging rendition of the Charles Dickens classic. Benjamin Howes' performance almost seamlessly meets your mental image of Bob Cratchit and makes you laugh and cry. Additionally, the cast of local children throughout the musical was well spoken and endearing. With little or no explanation as to the role of the three pearlies there was some confusion, however they did seem to help move the scenes through time and aid in the subtle placement of props and overall entertainment.

The set of this rendition of A Christmas Carol does not disappoint.  You can't help but revel in the special effects of the suspended ghost of Jacob Marley and the three ghosts of Christmas Past, Present and Future. Jack Mehler's lighting was superb. It draws your attention to different stage positioning that works well with the choreography.  And we cannot over look the wonderful costume design.  Set in London in 1843, the costumes are fitting for the era and are both simple and elaborate, depending on the scene.  

One cannot soon forget the musical score and wonderful singing.  With instruments situated throughout the theater, the music engulfs you.  Individually, or as part of the ensemble, the harmonies and melodies were enjoyable and the entire cast seemed very into their individual parts.

Children and adult alike will remember the true spirit and meaning of the holiday season after watching this musical. It is a wonderful way to kick off the holiday season.

Kara Clark, 31, is the bank controller for Winchester Cooperative Bank and lives in Woburn, Massachusetts with her husband, Chad and much spoiled cat, Maple.  She has been enjoying musicals since she was young.  She also likes traveling, going to movies, walking and cake decorating in her spare time.

If you haven't yet adopted the TRADITION of beginning your Holiday season with a NSMT performance of Charles Dickens "A Christmas Carol," this is surely the year to start. In fact, might I even suggest that you experience it twice?  First for the show, itself, and second just to watch David Coffee's performance, body language & facial expressions undergoing Ebenezer Scrooge's  transformation/redemption. It's priceless!

This is a ghost story 4 times over, a story of love, a morality tale.

We're in Victorian London circa 1863. A narrator (Jeffrey de Picciotto)  suggests we "use our imaginations, think beyond ourselves" then relates the tale of miserable, miserly Ebenezer Scrooge (Coffee) from 20 years past, gradually bringing the story to life. Three "Cirque du Soleilesque" "Pearlies" appear as sleek spirits acrobatically introducing characters and settings, departing from the traditional buskers.

A fluorescent green specter - the Ghost of Jacob Marley, Scrooge's deceased business partner, deliciously played with roaring intensity by Tom Staggs - arrives amidst lightning flashes, flying, writhing, moaning and bemoaning their greed. He informs Scrooge he'll soon be visited by 3 ghosts.

First is Christmas Past (Sarah Knapp) gliding in gauzy white resplendent with stars, reminding Ebenezer of his youth and Belle, his beloved, lost to ambition & avarice.

Next, flamboyant, jovial giant, Christmas Present,(Andrew Varela) makes Scrooge aware of life's reality and his reputation.

Lastly, Christmas Yet to Come (Jeff Edgerton) - a faceless ragged harbinger of doom, shows him a dismal future. This ghost leads Scrooge to an (impressive) haunted churchyard. Gravestones erupt; one horrifyingly displays a fiery "E-b-e-n-e-z-e-r S-c-r-o-o-g-e". Scrooge recognizes his past wretched life, finds his heart and the means to alter others' lives for the better.

Chief beneficiaries of Scrooge's redemption are Bob Cratchit, his clerk (delightfully played by Benjamin Howes) along with wife (Sarah Knapp) & 4 children including increasingly frail, Tiny Tim (Andrew Murdock), ever optimistic despite poverty & Tim's illness; and cheerful nephew Fred, (Kevin Massey) son of beloved sister, Fan, and his beautiful new bride Meg (Renée Brna, who also portrays Belle.)

Period music, wonderfully sung and danced by elegantly attired features and townspeople, enriches every scene, orchestrated by costumed musicians situated on raised platforms, and in pit. Outstanding are the lovely "Tomorrow Shall Be My Dancing Day" and comical "Isn't It Grand Boys". And then...there is the prize Turkey!

Dianne W. Fuzek is married - with Grandchildren.  She is a 67 year old secretary, teetering precariously on the brink of retirement ("someone please send me a parachute!"). Since accidentally "discovering" NSMT in 1999, she's been a delighted subscriber ever since, making the 84 mile, 1 1/2 - 2 hour "journey" to see each show.

Can a Scrooge (David Coffee) be performed by the same actor impeccably for 16 consecutive years at a theatre in-the-round?  Where was he the first three years? This is the 19th consecutive year the North Shore Music theatre has continued this holiday treat for Massachusetts and New England audiences.

As a first time reviewer, seeing the orchestra directed high above by Brian Cimmet and his eight person crew entering their seats in Victorian garb only added to a positive start to the show. Divided by a traditional orchestra pit and two other locations high above the stage, the music set the tone for this 2 1/2 hour fast paced production.

The next visual was the additional set above the traditional stage of a black and white panoramic view of 19th century London cityscape. With clocks prominently displayed throughout by scenic designer, Howard C. Jones, this would set the visual anticipation for this timeless classic. And these clocks would help tell to Ebenezer his past, present and future life story.

There can be drawbacks to a theatre in the round compared to a traditional stage but veteran director Jon Kimbell manages to add to the enjoyment and pace with actors and actress's coming at us from all directions of the round.

The play begins with a short effective narration by Jeffrey de Picciotto of what we will soon learn about the life of our star character Ebenezer Scrooge.

As Renee Zellweger tells Tom Cruise in Jerry Maquire, "You had me at hello."  This production got me with the grand entrance of Scrooge's former departed business partner, Jacob Marley, returning as a spirit flying up and down and around the stage like a chained Peter Pan.

The neon lights of purple and lime green on a white dressed nine year veteran, Tom Staggs, lit and stole the scene and show for me. It set the tempo for an enchanted and entertaining family performance to follow.

The use of the Pearlies (three spirits) (as sound effects) played and acrobatically performed by Mark Shunkey, Curtis Schroeger and Adam Ray Dyer only addend to this unique production. I enjoyed the effects of the wind/megaphone on awakening Mr. Scrooge.

The Victorian costumes designed by NSMT veteran, Nancy Leary, were outstanding. I especially enjoyed the Jesus like appearance of Andrew Varela as a 7' ghost of Christmas present, in a Santa Claus like red velvet robe with white fur collar.

The cast of actors and actress and including the children (local budding stars) who are featured throughout this production seem to really relish their roles. They added the perfect facial expressions through out this production.

Now as Ebenezer said at one point "I don't know what do".  I can tell you the opposite, pack your coats and gloves get into your car and head over this month to NSMT. This show will help to keep the holiday spirit alive with a lesson we can all enjoy this month.  Otherwise you will have to wait another year to see the 20th annual production.

Bob Imperato is 45 years old and the President of Boston Realty Associates. He has reported on sports for high school and college newspapers as well as for a Mississippi magazine for 10 years.  He is a theatre enthusiast and attends 20 to 25 live performances a year.

AMANDA DALY - 25, Musician

The revered veteran of Broadway, LES MISERABLES recently opened for a four-week run at NSMT.

The ensemble was a great foundation on which to add the featured performances. Vocal groupings are especially strong - including in "Look Down." In addition, the counterpoint in "Turning" was handled very well. The chorus in "Drink with Me to Days Gone By" was superbly one in voice. Several ensemble members could and should have been main characters. One performer who did catch my eye (and ear) was Allison Blackwell. I look forward to seeing her (and the others) in future shows! However, the "Lovely Ladies" made this left-leaning liberal school graduate blush. I really didn't think the extent of the loveliness was appropriate. It was uncomfortable to watch - the simulations and one of the men in the ensemble dramatically pulling off his shirt were too much.

The setup of the stage required many an adjustment and a majority of the time these were beneficial or added a different perspective to the show at the least, especially in the song "Empty Chairs at Empty Tables." One could argue that the creaky set with Javert climbing stairs and Marius climbing a gate really reflected the sense of peril/furtiveness present in the respective situations. The shadows in one of the final songs were neat as they in a way felt like death haunting a main character. Also, this set helps draw out the emotion of the healing/starkness at the end of life. In addition, seeing the characters' breath (as you could as a result of the lighting) made scenes appropriately seem more cold and desperate than they normally would have; it added to the feeling of some scenes.

However, there were disadvantages to the stage. With the seats all being as close to the stage as they are techies should make further effort to be quiet. The stage proximity should cause all actors to be mindful that any movement in scenes requiring them to be still is visible to the audience. Regarding this, they can all learn a lesson from Fantine (Jacqueline Piro Donovan). In addition, the drop-down barricade set from ceiling was a confusing but clever way to tackle this set. Lastly, the rotating stage sometimes eliminates views of pivotal scenes. One specific scene was out of my view because of my seat location and thus I had to rely largely on the character's vocal ability to convey the plot. Fortunately, Joanne Javien as Eponine did a terrific job of this, as she did throughout the show.

Cosette (Renee Brna) works the stage, especially the gate, very well. She was very doll-like and I like that she batted her lashes on the last note of "In My Life" when singing to Marius - likely unintentional but provided an added touch to the delicate view that Valjean has of her. Joanna Rosen is good in looks, talent and presence as Brna's younger counterpart. Cosette and Marius (Charles Hagerty) were great and believable together. Enjolras (Charlie Brady) was vocally exceptional and a pleasure to watch. He is assured further leading roles in Broadway. I do like getting carried away in really believing that these are the real people and this trio, among others, truly helped the audience to do this.

A great number of the costumes were effective and well-made. The Thenardiers' costumes and makeup were elaborate and terrific, as were all of the outfits in the final scene, a scene bolstered by the scenery. One ensemble member's costume in "Red and Black" was very good - I liked the sparkle of pride and sadness reflected by his vest. However, Fantine's look in "Lovely Ladies" seemed more 1980's than 1820's.

Regarding the Thenardiers, Madame Thenardier (Inga Ballard) shouted or sang in more of a speaking tone at times but was very, very strong vocally. The same could be said at times of Valjean (Fred Inkley) and Javert (Devin Richards), and while exceptional I would have liked to hear all of their top notes fully hit with force. Ron Wisniski was especially delightful to watch and his veteran presence truly shone through.

The songs were at times a bit rushed and hard to understand if you do not know the lyrics. The music sounded too synthesized and pingy - because it seemed unforgiving to the singers and the orchestra was not in view, it wasn't until I saw the conductor's arm about an hour into the performance that I realized it wasn't a pre-recorded orchestra.

Overall I found the performance enjoyable and a worthwhile adventure. Thanks for bringing it to NSMT!

JERRY GUILEBBE - 59, Veterans Agent

North Shore Music Theatre scores a perfect 10!

This adaptation of "Les Miserables" has a very talented cast that will sweep you away by its power, passion, and song. Fred Inkley (Jean Valjean) has the voice, power and energy that carries the show from start to finish. This complex story of love, revolution and freedom will tug at all your emotions. From the opening number to the Final you will be treated to one of the best shows that has performed here at North Shore Music Theatre, and most of the accolades go to the very talented cast.

Devin Richards (Inspector Javert), Joanne Javien(Eponine) Charles Hagerty(Marius) inspired and moved the audience with their clear and powerful voices filled with emotion and compassion. I thought Joanne Javien (Eponine) had such a beautiful voice, so clear and commanding, I could hear her sing all night.

One of the main reasons I felt a connection to this show was how each individual role was so well defined and how it was played by each of the actors. The moving and memorable songs like "One Day More", "A Little Fall of Rain" and "Bring Him Home" will tug at all your emotions. Jacquelyn Piro Donovan as "Fantine" sings "I Dream A Dream" a very emotional song that makes you feel for her pain.

Inga Ballard and Ron Wisniski as the Thenardiers made the audience to cheer with their "Master of the House" and Joanna Rosen as young Cosette and Sebastian Hoffman as Gavroche also showed how that as young performers they are sure to go a long way. They added much to an already brilliant and talented cast. Also the ensemble in this show played a very important role with their many roles and songs they had to perform.

North Shore Music Theatre's adaptation of Victor Hugo's master work novel will inspire you, dazzle the senses and touch your heart, and at the end will bring you to your feet cheering!!

Jerry Guilebbe is a 59 year old life long resident of Beverly. He is the Veterans Director for the City of Beverly and a Vietnam Veteran. He enjoys his 3 adopted grandchildren and loves to travel. He is active in the community with veterans, seniors and various social organizations. Jerry also enjoys all sports especially the Red Sox. He has been a season ticket holder at North Shore Music Theatre for more than 20 years with his family and friends.

PAMELA PERRETTI - 53, Instructional Technology Specialist

Les Miserables: A Revolution In-The-Round!

North Shore Music Theatre masterfully transports its patrons to 19th century France in the current production of international phenomenon, "Les Miserables". Surrounded by scrims depicting an illuminated Parisian village, the story of hero, Jean Valjean, unfolds. Valjean is imprisoned for thievery and, twenty years later, breaks his parole to start a new life for himself. Fred Inkley, in the role of Valjean, evokes strong emotion in many of his musical numbers. Of worthy note is his compelling rendition of "Bring Him Home".

Playing Valjean's nemesis, Inspector Javert, is Devin Richards. His Broadway experience is evident in this passionate portrayal of Javert. Richards' deep, clear and articulate voice is haunting.

Charles Hagerty plays the student, Marius, to perfection. Not only has he captured Cosette's love, but the love of the audience as well, with his confidence, arresting looks, and superb voice.

Adding comic relief in the role of innkeeper, Thenadier, is Ron Wisniski. Laughter fills the theatre as Wisniski portrays this diabolical character with the coupling of engaging animation and an impressive voice.

The surprise of the evening is young Marblehead resident, Joanna Rosen, who plays Young Cosette with the command of a seasoned actor. Her soulful eyes and angelic voice mesmerize the audience. Broadway-bound for sure!

Unquestionably, this is a powerful night of theatre. Seize the opportunity to experience the magical voyage of "Les Miserables" through November 18th.

Pamela Perretti is a Lynn native employed as an Instructional Technology Specialist in the Lynn school system. An avid theatre fan, she frequents NSMT productions and Broadway alike. Pamela enjoys her tap dance ensemble, book club, and antiquing. She adores the serenity of Cape Cod and the excitement of Manhattan.

Forever Plaid is an endearing musical that requires vocal excellence, experienced acting, and subtle comic timing. The North Shore Music Theatre presents a charming adaptation. But do not be deceived by words like "charming" and "endearing." The breezy ease of Forever Plaid is almost impossible to perform. Yet this group does it wonderfully.

And they'll shine again tonight.

The plot involves four singers that resurrect nostalgia. They are looking back on fonder years, sharing memories and reflections. Unfortunately, the cast is dead-killed in a collision with a nun-driven busload of schoolgirls bound to see the Beatles. What a striking, somber note.

But there is hope. Somehow the Plaids return to stage a final show. A "cosmic coincidence" allows them to aspire-for hopes, their shattered dreams, and that elusive, perfect chord. The Plaids are not dishonest, nor deceived, about their odds. They want "the biggest comeback since Lazarus." Their sky is filled with stars.

So much for plot analysis; the story's almost a distraction. What matters most in Forever Plaid is gesture, grace, and calm. After all, the program's bulk concerns the Plaids and their performance. If someone overplays a joke, then audiences notice. By eliminating extraneous riffs and overblown set design, the Plaids are exposed and vulnerable. No chorus can cover cantankerous chords, no backdrop disguises ineffectual blocking. Forever Plaid flounders if its players fall flat.

Enter the triumphant told-you-so of the North Shore Music Theatre. This production is an antidote to boisterous Broadway overkill. Where smaller theaters lose the music, larger ones strangle the simplicity. Thank goodness for the company-with four former Plaids and an original Plaid directing, this version finds a compelling, cheerful scope.

To identify one actor, or one number, is unfair. The entire show is darling. It finds a finely-tuned chord.

Stephen Bascom is a 19-year old Communication Arts student at Gordon College. He discovered the North Shore Music Theater in his sophomore year. Stephen spends his time writing movie reviews for his school newspaper the Tartan, serving as the Junior Class Chaplain, and sharing spooky stories aboard the Salem Friendship. Stephen still does not know how to eat spaghetti, but he is planning a semester in Italy this spring. His family hails from New Hampshire.

North Shore Music Theatre's current production of Forever Plaid brings us "The Plaids", a fictional 50's boy band who met in their high school A/V club, "The Projector Sector". As geeky teenagers, Frankie, Smudge, Jinx and Sparky practiced their routines to technical perfection in the basement of Smudge's family plumbing business, dreaming of their big break, only to be killed in a car crash while en route to their self-appointed breakout performance. Now, through the miracle of divine intervention, they've been given one more chance to perform.

The plaid-clad quartet ascends to the stage in darkness, each holding a lit candle signifying their return from the dead. They anxiously survey the theater with wild doe eyes, asking the audience in disbelief "What year is it?" Slowly, they discover all their props are on stage along with two musicians. From their opening number, "Three Coins in the Fountain" to their bittersweet finale, "Love Is a Many Splendored Thing", the group connects with the audience and offers consistently beautiful, synchronized harmonies. Their desire to please is charming and innocent, palpable but never overdone to campiness. Their characters become apparent through story and song as each voice is showcased in a solo number. Adam Halpin is strong as Frankie, the group's leader, spending most of his time shoring up confidence and making sure all moves are choreographed to perfection. He tightens a bow tie, wipes a brow, and acts as the glue that holds them together. J.D. Daw plays Jinx, plagued by anxiety-induced nosebleeds, who initially almost whispers his lyrics until finding the strength to sing his heart out in "Cry". Chris Crouch as Sparky sings well and provides comic relief. Kevin Vortmann plays Smudge, the guy we all knew in high school, with black Clark Kent glasses, shiny hair, and a desire to let out the real man inside. His voice is strong, deep and rich, and his comic timing impeccable. When he finally lets loose in "Sixteen Tons" and discards his glasses during "Rags to Riches", the audience goes wild. The quartet's three-minute marathon rendition of "The Ed Sullivan Show", complete with "Lady of Spain" on the accordion, "Dominique" from the Singing Nun, Topo Gigio and countless other characters, caused the crowd to leap to its feet in rousing applause.

Don't miss this production. These "Plaids" certainly struck the perfect chord!

Mary Rizzo is a 48 year old hospital administrator from Swampscott with a lifelong love of theater, music and writing. She lives with her husband Chris and two feline rulers, Angel and Crumpet, whose every wish is their command. They have been married 20 years and recently renewed their vows in Las Vegas with an Elvis impersonator!

This "Three Musketeers" is stunning to behold. The set design leaves no trapdoor or fly unturned, especially one scene on horseback/wine kegs, and the costumes combine creativity with historical accuracy without being rethreads.  The lighting keeps the action mobile and coherent, and fight direction manages to make several swordfights keep from seeming repetitious.  Director Francis Matthews deserves the greatest credit for putting them all together. As should be expected, the titular trio and their newfound friend D'Artagnan can swash a buckle and carry a tune with the best of them, often at the same time.  With the vengeful malady of Milady and the moving pathos of Athos, Kate Baldwin and John Schiappa almost steal the show. The chorus soars with energy and impeccable diction.

All for one, and one for all indeed. "Three Musketeers", "Who Could Have Dreamed of You"?  Till now, we'd been "Doing Very Well Without You".  After such an impressive production at NSMT, how can they not "Ride On" to even greater heights?  If there's a fan club supporting same, "Count Me In".

A Boston native, Jack Craib, a devout theater buff for almost five decades since a high school trip to see Bert Lahr in Midsummer Night's Dream, now lives on a pond in Plymouth and works from his home as a Registered Nurse. In addition to theater, he enjoys opera, classical music and canoeing (not all at the same time).  He fondly remembers the many musicals he saw at the greatly-missed Carousel Theater in Framingham, where his father had a press pass.  His second musical seen on Broadway was She Loves Me with Barbara Cook; his second favorite musical (and opera), Sweeney Todd.  His favorite musical: "The next one I see".

Sandi Nason, 52, is a private vocal and piano teacher in W. Boxford.  She is also director of choirs at her church.  In her "spare time" she is music director and co-founder of "moonlight productions", a not-for-profit theatre company in its tenth season of multigenerational musicals.  All of her children are involved in theatre.

With the new production of The Three Musketeers, North Shore Music Theatre again gives New England audiences the chance to witness the growth of a new and promising new musical, one which may see its journey end on a New York stage.

The story, for those readers unacquainted with the classic novel by Alexandre Dumas or its various films, concerns the idealistic young Frenchman, D'Artagnan, who leaves his country to find fame and fortune in Paris as one of the King's Musketeers. His journey brings him enemies, most notably in the form of Rochefort, agent to the powerful Cardinal Richelieu, and romance and seduction in the forms of the beautiful Constance and the mysterious Milady de Winter. D'Artagnan also finds friendship in, of course, three Musketeers: suave Aramis (Kevyn Morrow), comic Porthos (funny Jimmy Smagula), and brooding Athos (John Schiapa).

Quick with both dazzling smile and sword, handsome Aaron Tveit's carries the evening with a charismatic performance and a soaring tenor. When he meets the title characters, the show hits its stride, most notably in "Count Me In," a rousing anthem to friendship and the evening's best song.

Act II slows down to reveal the characters' desires and disappointments, most effectively in "Take a Little Wine," a well integrated exchange of song and dialogue for Athos, and unveils the mystery of Milady whose charms are more deadly than the point of any sword. As Milady, Kate Baldwin brings a commanding voice and presence to the part, although her accent, like that of many in the company, reads more Middle American than European.

The passionate score by George Stiles and Paul Leigh is best when extolling the virtues of comradeship and war although the love songs could benefit from stronger material despite being beautifully sung by Tveit and a luminous Jenny Fellner as Constance.

Much of the credit for the production rests with a smartly adapted book by Peter Raby and with Francis Matthews' brisk direction, though at times the staging and fight sequences seem to struggle with the theatre-in-the-round environs.

With its mix of music, action and romance, The Three Musketeers is sure to find favor with audiences.

Frank grew up an avid theatergoer and performer in Middletown, New Jersey where attending Broadway shows in nearby New York City was a favorite childhood pastime. He continued his theatrical education at Purdue University, IN and, despite spending more time in the Theatre Department than on his studies, managed to graduate with a degree in Organizational Communications. From the soybean fields of Indiana to the bright lights and upscale malls of New York, Frank received a Masters Degree in Theatre from the C.W. Post Campus of Long Island University where he studied directing and arts management. Frank then worked in various offices of the Paper Mill Playhouse where he witnessed the gifts of first-rate performers and directors, as well as the challenges of sustaining a not-for-profit theatre. Since moving to Massachusetts in 1987, Frank has continued to work in the non-profit arena, choosing the more stable career of a healthcare fundraising professional. He worked for the North Shore Medical Center for 13 years and for the past 7 years, has served as Development Manager for Massachusetts General Hospital. Never fully leaving theatre behind, Frank can still be found attending local and New York productions and always having his pulse on the very latest theatrical news.

There are four main reasons NSMT's production of Disney's High School Musical is fantastic:

1. Barry Ivan's choreography and direction are superb. Ivan's choreography is jam packed with explosive moves and stunning visuals that beautifully compliment the music. His direction is equally effective, adding comedic moments that help David Sampatico's struggling book. The smooth transitions from location to location help make the difference between classroom and the gym very clear.

2. Usually an audience can overlook the importance of good lighting, but not in High School Musical. Jack Mehler's lighting design adds a certain something to Ivan's choreography. Towards the end of the show Mehler's lighting creates a sense of urgency in three separate locations in the school. It's that good.

3. In most productions, the character of Jack Scott gets left in the background. This is not the case at NSMT's East High. Michael Kadin Craig creates a Jack Scott that is not only memorable, but extremely funny as well.

4. Andrew Keenan-Bolger. From the moment he walks across the stage you cannot take your eyes off of him. Keenan-Bolger makes Ryan the funniest character in the entire show, even when he doesn't have lines (watch for his interactions with Troy in Act Two.) He delivers a performance that gives Lucas Gabreel, the original Ryan, a run for his money. Simply hilarious.

If you miss out on Disney's High School Musical, you'll probably end up kicking yourself in the long run. Disney's High School Musical does not get any better than this.

Justin Colombo, an 18 year-old Andover resident, is a recent graduate of Andover High School. While at AHS, Justin served as Co-President of the Drama Guild and as the writer of their 2007 MHSDG Festival Show Troop 54. He also was seen in NSMT's Youth Performance Academy  productions of Mulan, Jr. and Charlotte's Web. This coming fall, Justin plans on continuing his love for performing at Ithaca College where he will study Acting. Aside from Theater, Justin enjoys Guitar Hero, YouTube, Lacrosse and listening to underground Hip Hop.

Disney's pop sensation, High School Musical , featuring a book by David Simpatico, begins when Gabriella Montez, ( Addi McDaniel) labeled a "brainiac" is unknowingly transferred to Troy Bolton's (David Nathan Perlow) high school where he is co-captain of the Wildcats basketball team.  Both had discovered each other and their musical talents at a karaoke contest during a New Year's Eve break and are unknowingly reunited following holiday break.

The pair discover they want to try out for the East High musical based on "Romeo and Juliet" against the wishes of their respective cliques.  Troy's father, Coach Bolton, (Fred Inkley) whose only vision is winning first place in this year's basketball tournament is quite adamant about Troy stepping outside the box and auditioning for a school musical. Troy's team members perform "Get'cha Head in the Game" to try to keep him on track    Gabriella's group is also pressuring the new "smart" girl at school to help them win this year's Science Club Fair. Add to this, Sharpay (Kate Rockwell) and her twin brother, Ryan, (Andrew Keenan-Bolger) who scheme every moment possible to turn the school's cliques, jocks and drama club leader, Ms. Darbus, played by Nancy Johnson against their making second cast call.

An added addition of the voice of the "Velvet Fog of East High School", Jack Scott, played by Michael Kadin Craig, evoked former high school dance memories for me.  His voice and subtle humor led the audience through the transition of various scenes.  Costumes, dances, and choreography (a very difficult scene was superbly done when at one point, three different venues were occurring - basketball tryouts, science fair competition and tryouts for the musical) were presented with ease by this talented group of professional and local actors and dancers.

In the end, the students acknowledge each other's differences and dissolve their stereotype thinking as they all perform "We're All In This Together".  This is definitely a performance you will want to bring your children and grandchildren to see.  You too, may leave with the feeling of "if only" this way of solving differences between young and old alike occurred more often, more people could "Bop To The Top"! 

Linda Cottone, 62, is the Marketing Director of Reading Co-operative Bank and lives in Andover with her husband, Vincent.  A past President of the Rotary Club, she presently serves on its Board of Directors.  Active in community affairs, she is an avid supporter of Angel Flight NE, an organization providing free air transportation to patients/families in need of medical treatment. Linda and Vincent have two daughters and four grandchildren who are the light of their life. 

The actors fulfill their roles with a definite lean towards the characters established in the Disney movie of the same name, but they each do an outstanding job with making the roles their own. David Nathan Perlow and Addi McDaniel are engaging as Troy and Gabriella, the teens from different worlds who find themselves drawn together by a love of music. Andrew Keenan-Bolger and Kate Rockwell play the brother-sister antagonists, Ryan and Sharpay, with just the right amount of "snottiness".

The supporting cast includes Jihyen Park (Kelsi), Matthew S. Morgan (Chad), Tallia Brinson (Taylor), Fred Inkley (Coach Bolton), and particular standouts Nancy Johnston (Ms. Darbus) and Michael Kadin Craig (Jack Scott). These characters and others, along with a large and talented ensemble (many are young performers from surrounding communities), keep the show moving quickly so there's never a dull moment.

One notable ensemble member, Kevin Curtis, looks like he's absolutely loving every second of what he's doing on stage - that's what musical theatre is all about.

Dex Edwards' set is wonderfully creative, with lots of evidence of today's technology and great use of the unique theater space. Jack Mehler's lighting design supports the show perfectly. John A. Stone's sound design also supports the current-day "technology" feel, but experienced a few small glitches that were somewhat distracting at times. Barry Ivan's choreography is not quite as complex as that in the movie but still fun to watch.

Incidentally, this reviewer traveled with a third- and a sixth- grader all the way from New Jersey to see the show, and the family consensus is - we'd do it again!

Vicky Czarnik of Hopewell, NJ, is "Mom" to 11- and 8- year-old boys and a Proposal Development Manager in the Pharmaceutical industry.  She's also a non-union actor/singer, having performed in over 30 shows and events in the greater central NJ area. She met her fiancé while performing in a musical!

Disney's DVD of the movie has been on the market for a year, "I've seen it thousands of times!" exclaims Melanie, age 8, who's here with mom, Lisa, and best friend Helen, 9. It's intermission and Helen quickly adds that, "it's cool to see real people doing it."

The show opens with some gags and a terrific, energizing bit of back-flipping cheerleading choreography. It allows us to melt into a nice bit of classical musical theater where the heroine, Gabrielle, sings a charming duet with her love interest, Troy. The blue lighting is perfect. It's a glowing winter night with sparkling snow falling like fairy dust and we know instantly what that means: it's the magic moment.

Boy meets Girl.

Now we're off and running and even the boys in the audience are laughing. It's not the romance that gets them, it's the crazy I-can-dance-on-top-of-the-cafeteria-table-if-I-want-to; the zany side show of fast-talking Jack Scott, playing the ubiquitous school intercom Voice; the evil Sharpay who is a blond, teenage Cruella de Ville combo rescued from Clueless; and the stick-your-finger-in-your-ear Noise.

The best lines, and there are really too few of them (but who's counting), go to the drama teacher, Ms. Darbus, played by Nancy Johnston, who plays her lines with delicious abandon.

Marilyn and Mary Jane, two just-retired teachers from Lynn who have been season ticket-holders for years, came out smiling and shaking their heads in amusement, "it reminds us of everything we went through with the kids (at  school)."

Bring a youngster, any youngster, to the show and you'll understand exactly what they mean.

Toni's first introduction to musical theater was at the age of four. She was on a ship full of World War II immigrants sailing into New York harbor. Clinging to the railing, the ocean sparkling around us as we steamed toward Lady Liberty, she turned to her older brother and said, "I bet I learn English faster than you." It was a perfect theatrical moment! She ended up falling in love with the English language. College, a stint in Architecture at MIT, life as a full-time mom, reborn as a reporter for the Salem News, and currently president of a software company followed.-and now, being invited to be a guest critic at NSMT? Awesome!

‘Seven Brides for Seven Brothers' abounds with Olympic energy!

Based on the MGM film of the same name and the Vincent Benet story "The Sobbin Women," Seven Brides for Seven Brothers tells the story of an 1850 Oregon territory farmer, his recently acquired wife, and their desperate but humorous measures to marry off his remaining raucous, ill- manned, testosterone driven brothers.

Director Scott Schwartz and Choreographer Patti Colombo set the bar high for this young cast and they obliged not only reaching it, but jumping over it, under it, and through it all at the same time. Act One's ‘The Challenge Dance' involving the entire 25 member ensemble of Brides, Brothers, and Suitors left the opening night audience breathless.

The talents of the entire cast contribute to the success of this delightfully old fashioned musical. Edward Watts (Adam) stands out with his strong baritone voice and even handed characterization. All of the actors portraying the Brothers carve out distinct personalities in their performances but the script allows two of those actors to stand out. Christian Delcroix, as the young love struck Gidean, provides just the right amount of tenderness and broad comedy to highlight the humor in the revised book by Lawrence Kashka and David S. Landay.  Eric Sciotto, as brother Frank, was a scene stealer with his wonderfully amusing contorted body movements that invoked thoughts of a physical as well as emotional transformation of his character.

The show sparkles technically, from the bright pastel colored costumes, to the magically appearing and disappearing settings. Produced in association with Theatre Under the Stars and The Paper Mill Playhouse the Sound, Lighting, and Scenic designs were all specifically designed for NSMT's intimate stage.

The results of this collaboration were as light and refreshing as the falling Oregon snow.

Don Bagley,49, lives in Seabrook NH with his wife Karen and teenagers, Ben and Molly. For years he worked in the Horticulture/Agriculture field, but moonlighting as a local stage actor. A back injury has forced this real life "Tevye" to accept a less strenuous role as a part time film actor and can be seen "milking it" in several upcoming N.E. based films.

After watching the 1954 MGM film version of Seven Brides for Seven Brothers based on "The Sobbin' Women" written by Steven Vincent Benet almost thirty years ago I was eager to see how they would be able to recreate this performance in the theater in the round. I was blown away from the start by lead actor Edward Watts'(Adam) stellar performance of "Bless Your Beautiful Hide." Michelle Dawson who played Millie took no second fiddle to Jane Powell who played the original role in the film version. In addition, the supporting cast supplied all the energy and enthusiasm that one ticket holder could enjoy. When it came to dancing this play contained it all from ballet movements to exhilarating tumbling and back flipping of these high-spirited dancers. Entrances and exits to the stage were unusual yet orderly and tastefully executed.  The presentation of props rising from center stage to ceiling height as well as props strategically hidden on the outskirts added to a cohesive flow of set changes.  The effects of the visual lighting and acoustics enhanced the dramatic moments. The choreography of the dances along with the energy, enthusiasm and the athleticism of all the cast members was the highlight of the evening's production. Throughout the production you will find a number of humorous lines delivered at the most timely moments with great finesses.   It was also apropos that the song "Wonderful, Wonderful Day" glued me to my seat and gave me a wonderful feeling. The audience passion and energy was expressed several times throughout the performance with laughter and applause. You could feel the exhilaration during the intermission and this critic couldn't wait to enjoy the second act. To this end I was certainly not left disappointed.  I would recommend people of all ages to share in this exhilarating experience.

James is a fifty year old Danvers, MA native with three children, who enjoys golfing, raising funds for St. Pius School in Lynn MA as well as volunteering as a public speaker for HAWC. HE holds a BS in Education and am presently a graduate student at Salem State College. He is also employed in the health and human services field.  After attending several productions at the NSMT in the past this is the first time he been requested to critique a performance.

SEVEN BRIDES FOR SEVEN BROTHERS WAS SEPTUP'LAR!!

On Thursday May 31st the newly renovated North Shore Music Theatre located in the wooded area of Beverly, MA in collaboration with many talented artists and guest artists was well received when the house opened with Seven Brides For Seven Brothers to a large, eager and welcoming audience.  This little hidden gem know as the "theatre-in-the-round" had me on a non-stop, merry-go-round ride where the action, singing, dancing and tumbling were exciting and rhythmic to watch, and hear.  It was a bouquet of heartwarming numbers and some sexy surprises, especially "Bless Their Beautiful Hides"!!  The costumes were "Wonderful Wonderful" colorful prisms especially complimented the lights.

If it takes a village to raise a child" then hats and boots off to tall, blond, handsome, burley, big brother Adam, performed by Edward Watts, for raising his brothers out in the Oregon lumberjack woods on his own. 

When along comes his strong willed, hard working, beautiful new bride Millie, performed by Michelle Dawson, to strip ALL the brothers of their old scruffy headed, scrappy bearded, tattered clothes, rough and "tumbled" mountain man ways.  What better way to shape up a man or even seven men than by bak'n em some homemade muffins and teach 'em some proper manners on how to treat the pretty little lady folk especially when they are "Goin' Courtin'".

Imagine having two sets of suitors?  The brothers may have lassoed, and kidnapped their woman who "were spoken for" and "promised to" at first, but it didn't take these ladies long to warm up to the brothers charms and marry them.

The set changes were intricately and smoothly woven into each scene by the entire cast as they set up, removed, or replaced props.  The set pieces were also gracefully transitioned as the bunk bed rolled down from one of the house aisles, or the table as it rose up from the stage floor and the trees as they were quickly hoisted down and retracted back up to the ceiling rafters.

BRAVO!! Seven Brides for Seven Brothers was Septupu'lar the only regret I have is that there was not a longer curtain call!  Applause Applause Applause!!

Sherri Raftery turned 41 on January 9^th and is a PTO mom at St. Pius V. School in Lynn, where her nine-year-old daughter Sabrina attends third grade. Sherri is also a soccer mom and team parent for the Saugus "Dynamites", a performer with the Theatre Co. of Saugus and currently serves on several boards in Saugus including the Saugus Cultural Council.   Sherri graduated from Emerson College with a Bachelor's Degree in Theatre Arts and Communications and completed her Master's Degree in Education with a Concentration in Arts and Learning from Endicott College in 2004. Sherri is the Toastmasters District 31 A-2 Area Governor and the newly elected Lt. Governor of Marketing. Sherri writes poetry and has been published locally.

AGNES BUCHANAN - 50, Marketing Consultant

In 1992, the 30's Gershwin musical Girl Crazy was reworked into Crazy for You, with the songs of brothers George and Ira given fresh, albeit thin, meaning and dramatic context. The score includes a bounty of memorable standards:  "I Got Rhythm,"  "Embraceable You," "Someone to Watch Over Me," and  "They Can't Take That Away From Me."

Bobby Child (Jeffry Denman), a fresh-faced heir-apparent to his family's business, longs to hoof it out the door of the bank onto the Broadway stage.  His overbearing mother and imperious fiancée corner him in the first act, so he gladly flees to sleepy Deadrock, Nevada on a bank errand-to foreclose on the Gaiety Theatre, a grand relic of the once-thriving mining town and now a post office.

Once there, he falls for Polly Baker, (Amanda Watkins) the irascible postmistress and theatre owner's daughter.   To engage Polly, Bobby impersonates New York theatre mogul Bela Zangler, (NSMT favorite, David Coffee) and decides to put on a show to save the playhouse, starring the locals and his New York chorus line gal pals. Here the madcap misadventures begin.

The local men, ("singing cadavers" as described by Lank Hawkins, naysayer and Bobby's rival and nemesis) quickly evolve, thanks to their captivating female ensemble coaches, from slack-jawed yokels into singing and tap-dancing hotshots.

There are plenty of stunning and delightful visual effects, from the many show-stopping dance numbers, to the gorgeous Deco-inspired costumes, to the surprising use of props and lifts that facilitate the magical appearance of a clown car of showgirls.

Does boy get girl, does Zangler forgive Bobby, is the show ultimately a hit, and are the adversaries conveniently banished?  Of course!  This is all about irresistible fun set against some of the greatest songs of the twentieth century.  ‘S wonderful!

Agnes Buchanan, 50, lives in Salem with her photographer husband, Jo, extraordinary children, Ryan, 14, and Tanya, 12, and their gorgeous cat, Django, 5. A business writer and editor by trade, she currently works as a marketing consultant. 

Let's Put on a Show

Running now through May 13th at North Shore Music Theatre is Crazy for You a Tony Award winning show by Ken Ludwig with music and lyrics by George and Ira Gershwin. The show brings back delightful memories of the Andy Hardy musicals, where boy meets girl and they put on a show to save the day.

The show stars Broadway's Jeffry Denman, as Bobby Child, a banker who dreams of being a song and dance man. Jeffry's singing and dancing, reminiscent of Fred Astaire, prove why he has become a wonderful leading man. Bobby is sent west to repossess a failing theatre, where he falls in love with Polly, the only girl in town, wonderfully played by Amanda Watkins. The ensemble of townsmen, including Polly's boisterous fiance Lank, brought to life by Dan Amboyer, aren't keen on Bobby's arrival until he assumes the character of Follies director Bela Zengler. The real Bela played by NSMT resident chameleon David Coffee arrives in Deadrock to further complicate Bobby's life. With a bevy of show girls lead by Kristen Beth Williams as Tess, Crazy for You takes the audiences on a delightful ride back to a decade where big songs and great dancing went hand in hand. Richard Stafford's direction and choreography keeps the show funny and gives every performer a chance to display their great talent. Edward Reichert's musical direction shows off the cast's wonderful singing talent with tight harmonies and subtle power. A big hand goes to the costumes and props department as the cast looked great and the use of found items during the dance numbers wowed the audience.

Crazy for You has something for everyone: gorgeous costumes, great singing, terriffic dancing, and lots of laughs and love. It's something not to be missed.

North Shore Music Theatre's latest effort continues a fine tradition in regional live theater, using their recently-rebuilt playhouse to provide Crazy For You with a fresh look and feel. A reworking of Girl Crazy (1930), a series of George Gershwin songs are shoehorned on the back of a loose story: boy meets girl, boy loses girl, boy does ridiculous things to win back girl and all walk off into the sunset holding hands.

Jeffry Denman, leading as Bobby Child, is a fine actor, pleasant to hear and enjoyable to watch dance. His physical comedy is adept, and his interactions with the cast are loose and easy. Polly, played by Amanda Watkins is a stunning actress with poise and a graceful presence, though she was vocally uneven at times.

Lyn Philistine as Irene Roth provides a female comic foil, and the applause after her Act II number is deserved. David Coffee (Bela Zangler) contributes his talents to the show during a unique "mirror effect" song with Denman. Ensemble standouts include Karen Hyland (Mitzi) and Vincent Rodriguez III (Mingo).

Campbell Baird's set design include a series of trapdoor/elevators that effectively bring characters onto or off the stage at key dramatic moments. A high point is Bobby waving his arms downward to "disappear" two troublemakers out of his life.

Credit must be given to director/choreographer Richard Strafford for presenting original choreography rather than relying on Susan Stroman's original work. While Strafford's efforts fall short of their goal on occasion, it's refreshing to see a production unafraid to move in new directions.

The orchestra also departs from the typically tight and brisk notated score to underscore Strafford's original dance steps, but because few instances of an exact musical style are clearly defined, the score becomes a somewhat monotonous lesson in generic "early jazz." Happily, the music perseveres due to Gershwin's ability to write across a range of forms.

Crazy For You is primarily a song-and-dance production, enjoyable for the entire family. Kids will find the visual gags entertaining, adults will snicker at the mild double entendres and all will enjoy the good-natured fun provided by the cast at the North Shore Music Theatre.

Born in a rural hamlet far, far away, Steven's been a pianist for longer than he can remember. He started pipe organ lessons after hearing an hilarious E. Power Biggs recording of The Stars & Stripes Forever. He was a full-time gigging musician before attending Berklee College of Music, where he now works. He enjoys bicycle rides in the rain, the music of John Kander and baseball. When he grows up, he hopes to tour Ireland with the circus.