JON KIMBELL (Adapter) is a producer in residence for SenovvA, Inc. a design and management company offering services to the entertainment, special event, architectural/construction and media services industries with offices in Los Angeles, New York City, Toronto and Dublin. As Artistic Director for North Shore Music Theatre for 25 years retiring in 2007, he helped develop over 60 musicals, including Memphis, winner of four 2010 Tony Awards, including Best Musical. Kimbell produced Langston in Harlem, an original musical that opened Off-Broadway winning four 2010 Audelco Awards, including Best Musical. Audelco Awards celebrate excellence in Black Theater. Kimbell has received the Elliot Norton Award and the New England Theatre Conference Award for Outstanding Achievement in American Theatre; Salem State College’s Lifetime Achievement Award; the Moss Hart Award and the 2010 Spotlight People’s Choice Award for his musical adaptation of A Christmas Carol in addition to several awards for his work promoting tolerance and diversity. A champion of new works, Kimbell served as Vice Chair for the New York Music Theatre Festival and on the National Alliance for Musical Theatre’s New Works Committee. He has served as a panelist and evaluator for the National Endowment for the Arts, New Hampshire Commission on the Arts, Massachusetts Cultural Council, Maine State Council on the Arts and Humanities, Ohio Arts Council, and the Cultural Arts Council of Houston. He currently chairs Somerset Cultural Planning, a project of the Wesserunsett Arts Council, which is developing a cultural plan for Somerset County, Maine as well as serving as Chair of the Skowhegan Opera House Renovation Committee.
KEVIN P. HILL (Director & Choreographer, Producing Artistic Director) began his theatrical career as dancer and actor, having appeared in the National Touring companies of Hello, Dolly! with Carol Channing, Leslie Uggams and Michele Lee, Anything Goes and the International Touring Company of A Chorus Line. Kevin has directed and choreographed more than 200 productions across America, including Titanic The Musical, Disney’s Frozen, Sunset Boulevard, Jersey Boys (‘19 & ‘24), The Sound of Music, A Christmas Carol, Young Frankenstein, Mary Poppins, Sister Act, Mamma Mia!, Smokey Joe’s Cafe, Grease and others. He has had the privilege of working with such stars as Alice Ripley, Marin Mazzie, Jeannette Bayardelle, Joanne Worley, Kathleen Turner, Josh Groban, Jonathan Groff and Tony Award winner, Cady Huffman. In New York, he was the assistant to the director of On the Twentieth Century at the New Amsterdam Theatre and assistant to the choreographer on the revival of Guys and Dolls. Kevin has been nominated as Best Director/Choreographer for his work on Sunset Boulevard, Smokey Joe's Cafe, Rent, The Full Monty, Chicago, and Edwin Drood, and was awarded the NH Theatre Award for Best Choreography for West Side Story at the Papermill Theatre. Kevin has also been awarded Six Broadway World awards and two Motif awards for his productions of Mamma Mia!, Mary Poppins and Young Frankenstein. As a Professor of Dance, Kevin has been on faculty at Pennsylvania State University, Kansas State University and most recently The Boston Conservatory of Music. Kevin and his husband Matthew have created their own production company called, Chappell Hill Productions. Their first venture is co-producing the new Broadway musical Gun & Powder. Chappell Hill Productions is also the lead producer of a new medium of theatre called, Dance Night. Kevin is a proud member of SDC, AEA and a past member of Dance Masters of New England, Chapter 5. For a decade, he has held the role of Producing Artistic Director at North Shore Music Theatre and eleven years at Theatre By The Sea. MILTON GRANGER (Music Direction) returns to North Shore Music Theatre to music direct his 31st production. As pianist/conductor: Broadway: Mary Poppins, The Woman in White, Chitty Chitty Bang Bang, Cyrano: The Musical, and Camelot (with Robert Goulet). Vocal arrangements, “LoveMusik” directed by Hal Prince. National Tours: The Phantom of the Opera, Big, Sunset Boulevard, Camelot. International: West Side Story. Over 100 regional productions at North Shore Music Theatre, Theatre By The Sea, Baltimore Center Stage, Westchester Broadway Theatre and others. Work as composer/lyricist: Two First Prizes in National Opera Association new chamber opera competition; nine chamber operas, performed regularly throughout U.S. and Canada. Several produced musical plays, including Castle Walk (NYMF Next Link Selection), and Peter Rabbit and the Garden of Doom (winner, Actors’ Playhouse competition). miltongranger.com HOWARD C. JONES (Original Scenic Design). Past NSMT design credits include Disney’s The Little Mermaid, Legally Blonde, My Fair Lady, Bye, Bye Birdie, Contact, Forever Plaid, Hairspray, Singin' in the Rain ‘05, ‘92, Fame, Swing!, Cats, Chicago, Footloose ‘02, Carousel, Sweet Charity, Student Prince,Victor/Victoria, Annie, Carnival, Crazy For You, Will Rogers Follies, Phantom, Showboat, South Pacific, Brigadoon, City of Angels, Guys and Dolls, Nunsense 2, How to Succeed in Business Without Really Trying, Camelot ‘91 and the annual production of A Christmas Carol. Mr. Jones is Director of Scene Painting at the N.C. School of the Arts. Before that he was the founder and owner of Cobalt Studios, an apprentice painting studio, in upstate New York. Other credits include Goodspeed Opera, Starlight Theatre, Missouri Repertory Theatre, CLO in Pittsburgh, Merrimack Repertory Theatre, Weston Playhouse, Virginia Opera and the American Heartland Theatre. Mr. Jones was proud to be included in the World Stage Design Expo 2005. He received the Elliot Norton Award for Outstanding Designer in June 2000 and several times has been awarded Best Design by KC Drama Desk. REBECCA GLICK (Costume Coordinator and Additional Costume Design) is thrilled to be stepping into a new role here at North Shore Music Theatre! A stitcher/dresser with NSMT for a few years, Rebecca has designed for many theatres and educational programs around Boston. Her recent designs include Laughs in Spanish (Speakeasy Stage Company), The Full Monty (Umbrella Stage Company), and Sweeney Todd (Moonbox Productions, Elliot Norton Nomination-Outstanding Costume Design). She is the recipient of the Thomas Derrah Emerging Artist Award for her Costume Design of POTUS. Rebecca's educational designs can be seen throughout the year on the stages of Framingham High School, Weston Drama Workshop, Greater Boston Stage Company, and NSMT. She is also the designer for Refine Dance Studio's annual production of The Nutty Suite. JACK MEHLER (Lighting Design & Additional Scenic Design) Previous work with NSMT includes Scenery & Lighting for Titanic The Musical, Beautiful: The Carole King Musical, Jekyll & Hyde (IRNE nomination), Singin’ in the Rain (2016), Billy Elliot the Musical, Miss Saigon (2013), Scenery for West Side Story (2003), and Lighting for A Christmas Carol ('02-'19, ’21-‘23; 2012 IRNE nomination), Annie, Buddy, Camelot (IRNE nomination), Children of Eden, Elvis: A Musical Revolution, Fiddler on the Roof (2024), 42nd Street, Funny Girl, Gypsy, Hairspray, High School Musical, Jesus Christ Superstar, The King and I, A Little Night Music, Little Shop of Horrors, My Fair Lady, Nine (IRNE nomination), Oklahoma! (2019), The Producers, Ragtime, Smokey Joe’s Cafe, Thoroughly Modern Millie, Tootsie, West Side Story (2016), Wizard of Oz, and Young Frankenstein. He received the 2012 (Elisabeth) and 2013 (Rebecca) Korean Musical Theatre Awards (Korean Tony) for Lighting Design of the Year. Other Theatre design credits include Walnut Street Theatre, Paper Mill Playhouse, Manhattan Theatre Club, Riverside Theatre, Cleveland Play House, Seattle Rep, Syracuse Stage, Weston Playhouse, The Working Theatre and WPA among many others. Dance: Alvin Ailey American Dance Theatre, Joffrey Ballet, Lar Lubovitch, San Francisco Ballet, Donald Byrd/Spectrum Dance, Hubbard Street Dance Chicago, Buglisi Dance Theatre, BalletMet, Ballet Memphis, Richmond Ballet and many others. Jack also provides owner's design representation for organizations building or renovating performance and rehearsal spaces and is a founding Board Member of ACT of Connecticut. jackmehlerdesign.com LEON ROTHENBERG (Sound Design). NSMT: A Christmas Carol since 2012, as well as All Shook Up, The Wizard Of Oz, Les Misérables, Saturday Night Fever, and Singin’ in the Rain. Select Broadway: Hillary and Clinton, Waverly Gallery, Mike Birbiglia’s The New One, The Boys in the Band, A Doll’s House Part 2, Violet, The Realistic Joneses, The Nance (Tony Award), The Heiress, Joe Turner’s Come and Gone (Tony Nom). Regional: La Jolla Playhouse, The Old Globe, Pasadena Playhouse, Huntington, A.C.T., Portland Center Stage, Arena Stage, Seattle Rep, Folger Shakespeare Library, Long Wharf, McCarter, Williamstown Theater Festival, Hudson Valley Shakespeare Festival, Merrimack Repertory, Delaware Theater Company, New York Stage and Film, Two River Theater, Theatre By The Sea. Select New York/Off-Broadway: Second Stage, New York City Center, Manhattan Theatre Club, Public Theater, Culture Project, Tectonic. International: Cirque du Soleil. klaxson.net GERARD KELLEY (Original Hair & Wig Design). Gerard has designed for Hair on Broadway and on London's West End. His New York credits include the Public Theater, Mint Theater Company, Playwrights Horizons, the Pearl Theater, and the Classic Stage Company. Regional Theatre credits include Theatre Under the Stars, Westchester Broadway Theatre, Walnut Street Theatre, North Shore Music Theatre, Maltz Jupiter Theatre, Dallas Theater Center, Paper Mill Playhouse, Maine State Music Theatre, Carousel Dinner Theatre, Phoenix Theatre, Sierra Repertory Theatre. San Francisco TheatreWorks, Cape Playhouse, Sacramento Music Circus, Westport Country Playhouse, Peterborough Players, Actors, Playhouse, and George Street Playhouse. Gerard has designed for Shakespeare festivals in New York, Lake Tahoe, New Jersey, Idaho, and San Francisco. Film credits include “The Conjuring”, “Transamerica”, “Girls Will Be Girls. Notorious”, “The Ten, The Savages”, and “The Other Women.” Gerard has worked extensively with the B-52s. PAMELA HERSCH (Projection Design) is a Mexican-born visual artist specializing in projection design. Her collaborative projects span diverse fields, including partnerships with producers, artists, non-profits, art galleries, museums, and commercial entities. Her portfolio showcases work in projection mapping installations, photography, music videos, and live show visuals. Pamela also runs Installation Space, an art gallery on Historic Eagle Street in North Adams, Massachusetts, steps away from MASS MoCA. Her recent credits include Titanic The Musical and Disney’s Frozen at NSMT. Pamela holds a B.M. in Electronic Production and Design and an M.A. in Creative Media and Technology from Berklee. SIMON BYRNE (Dialect Coach). As a British transplant to the North Shore, Simon has been sprinkling authentic dialect glitter over A Christmas Carol for NSMT since 2021. He also works extensively across our education programs accompanying auditions and masterclasses, teaching workshops and classes, and music directing our NSMT productions of Annie Kids Edition (2020), Frozen Jr (2022), The Wizard of Oz Youth Edition (2023), Matilda Jr (2023), Disney’s Descendants The Musical (2024), Beauty & The Beast (2024), and our upcoming production of Beetlejuice Jr. in the spring. Simon is also the accompanist for our Out at the North Shore receptions. KAT SHANAHAN (Additional Wig Design) is THRILLED to be designing the wigs for A Christmas Carol - a show she has seen every year since she was 2 years old! She is the resident Wardrobe Supervisor here at NSMT, finishing out her 11th season! Other companies she has worked for include Boston Ballet, The Huntington Theatre, Speakeasy Stage Co., The Lyric Stage Co., Greater Boston Stage, Theater By The Sea, Odyssey Opera, The New England Conservatory, Boston University, The Poets Theater, Boston Conservatory, and ArtsEmerson. Kat has designed and/or maintained wigs for such other companies as Boston Ballet, The Huntington Theatre, Odyssey Opera, and Boston University. Kat has a B.S. in Film and Video Production from The New England Institute of Art. For J, O, P, R & C always. RYAN MARSH (Associate Sound Design) is a New York City based sound and lighting designer who thrives in the collaboration process. He is a big believer in using call and response in his work, as his design choices are often informed through collaboration with other design disciplines, the music, or what is taking place on stage, while at other time his work is the factor that informs everything else. Ryan strives to immerse the audience in the story to deliver a unique and moving experience. Ryan’s designs have been featured both domestically and abroad. With experience designing a wide variety of productions, he is equipped to tackle any challenge that may come up. Ryan graduated from the UCLA Department of Theater with a BA in Design and Production has his MFA in Lighting Design from the NYU Tisch School of the Arts. ryanmarshdesign.com STEPHEN MacDONALD (Production Stage Manager) is excited to be working on another production with North Shore Music Theatre after stage managing Titanic The Musical, Million Dollar Quartet, Fiddler on the Roof, Jersey Boys (‘24), A Christmas Carol (’21 - ‘23), Elvis: A Musical Revolution, The Full Monty, Escape To Margaritaville, The Sound of Music, Beautiful: The Carole King Musical, Kinky Boots, Little Shop of Horrors, Buddy, Rodgers + Hammerstein’s Cinderella, Smokey Joe’s Cafe, and Mamma Mia! (‘21). Other recent credits include The Inheritance, People, Places and Things and Admissions with Speakeasy Stage Company of Boston, Mamma Mia! (‘21) at Theatre By The Sea, and A Year with Frog and Toad TYA at North Shore Music Theatre. When not working professionally as a stage manager, Stephen spends his time directing and designing educational productions, teaching future generations of performing and technical theatre artists. ROBERT L. RUCINSKI (Assistant Music Director) is thrilled to be returning for his 18th production of A Christmas Carol with NSMT. Past NSMT Music Director credits include Madagascar, Elvis: A Musical Revolution, Escape To Margaritaville, Curious George: The Golden Meatball, A Christmas Carol (‘19), A Year with Frog & Toad, School House Rock Live Jr. Past Assistant Music Director credits include Titanic The Musical, Tootsie, Disney’s Frozen, Fiddler on the Roof, Jersey Boys (‘19 & ‘24), The Full Monty, The Sound of Music, Beautiful: The Carole King Musical, Kinky Boots, Little Shop of Horrors, Rodgers + Hammerstein’s Cinderella, Smokey Joe’s Cafe, A Christmas Carol (‘04 – ‘07, ‘10 – ‘18, ‘21- ‘23), Sunset Boulevard, Freaky Friday, Oklahoma!, Hairspray, Jekyll & Hyde, Peter Pan, 42nd Street, West Side Story, Singin’ in the Rain (‘06 & ‘16), Les Misérables, The Little Mermaid, The King and I, Forever Plaid, Seven Brides for Seven Brothers, Crazy for You, Cinderella (‘05-’06), Ain’t Misbehavin’, Damn Yankees, Camelot, Fame. Robert has been music director at many theaters throughout New England and teaches at several high school and university theater programs in the local area. A native of Jersey City, NJ, he now lives in Danvers, MA. More info at rucinskimusic.com DAKOTAH WILEY HORAN (Assistant Stage Manager) is thrilled to be back having worked as the Assistant Stage Manager on Titanic The Musical, Million Dollar Quartet, Tootsie, Disney’s Frozen, Fiddler on the Roof, Jersey Boys (‘19 & ‘24), A Christmas Carol (‘16 – ‘19, ‘21 – ‘23), Elvis: A Musical Revolution, The Full Monty, Escape To Margaritaville, The Sound of Music, Beautiful: The Carole King Musical, Kinky Boots, Little Shop Of Horrors, Buddy, Rodgers + Hammerstein’s Cinderella, Smokey Joe’s Cafe, Mamma Mia! (‘18, ‘21), The Bodyguard, Sunset Boulevard, Freaky Friday, Oklahoma!, Hairspray, Jekyll & Hyde, Peter Pan, Mame, 42nd Street, Evita, Young Frankenstein, Disney’s Beauty and the Beast, The Music Man, West Side Story, Spamalot and Singin’ In The Rain, and as the Production Assistant for Mary Poppins and Funny Girl. Some of her previous Stage Management credits include: Capital Repertory Theatre: Betrayal, Marvelous Wonderettes, Cactus Flower, 33 Variations, Leslie Uggams in Uptown Downtown, Man of La Mancha, and Single Girls Guide. Pendragon Theatre: Clean House and Twelve Angry Men. She would like to thank her parents for instilling and encouraging her love of theatre, and to her friends and her North Shore family for always supporting her. MARIA PAPADOPOULOS (Assistant Stage Manager) is thrilled to return to NSMT after previously working on Tootsie, Disney’s Frozen, and Fiddler on the Roof. Off-Broadway credits: Do Re Mi (ASM - J2 Spotlight Musical Theatre Company), Lucky Stiff (ASM - J2 Spot Musical Theatre Company), The Goodbye Girl (ASM - J2 Spotlight Musical Theatre Company), Sugar (ASM - J2 Spotlight Musical Theatre Company), and Women Of The Year (ASM - J2 Spotlight Musical Theatre Company). Select other credits include: Indecent (PSM - Weston Drama Workshops), Merrily We Roll Along (ASM - Weston Drama Workshops), POTUS (Sound Board Op - SpeakEasy Stage), A Case For The Existence of God (Sound Board Op - SpeakEasy Stage). BFA from Penn State. ZFX FLYING ILLUSIONS (Flying Effects). Broadway: Peter Pan with Cathy Rigby; The Green Bird; Kiss Me, Kate; Dance of the Vampires; Wicked, Saturday Night Fever; Martin Short: Fame Becomes Me; Fiddler on the Roof and Frozen. National tours: Seussical the Musical, Blues Clues Live, Spiderman Live and Dora the Explorer. Television: A&E's "Peter Pan," CNN, the Tony Awards and "The Rosie O'Donnell Show." zfxflying.com BILL HANNEY (Owner/Producer) is honored and proud to have been responsible for the re-opening of the nationally renowned North Shore Music Theatre in 2010. Aside from his work operating North Shore Music Theatre, one of Bill's crowning achievements was the 2007 purchase and re-opening of Theatre By The Sea, a landmark 500 seat professional summer theatre and restaurant, which is entering its seventeenth successful year of operation in Matunuck, RI (theatrebythesea.com). Bill was a co-producer on the recent Broadway production of The Shark is Broken, and recently co-produced a New York City workshop of The SeaView Nursing Home for the Newly Deceased. Bill was an investor in the recent Tony Award-winning Broadway revival of Pippin, as well as the First National Tour. Bill is currently expanding his group of live theatres. He began his career in show business at age 19, leasing and developing movie theaters, including his first multiplex in Quincy, Massachusetts. Before long, he was booking rock shows (Jefferson Starship, Rush) and other types of live entertainment, which eventually led to the presenting and producing of Broadway productions. One such show was an appearance by the legendary mime artist, Marcel Marceau. As president of Broadway Productions, Bill presented national tours such as Annie, Amadeus, Dancin', Peter Pan, The Rocky Horror Show and Mark Twain starring Hal Holbrook, throughout New England including Worcester, Springfield, Portland, Maine and Boston. Throughout his career, Bill has stayed focused on his movie theatre chain having bought, built, owned, operated, and sold more than 30 cinemas. His company, Entertainment Cinemas, currently operates six movie complexes in three states. Bill is currently Chairman of the Board of the Theatre Owners of New England. Bill has been named to the North Shore Top 100 by the North Shore Chamber of Commerce. He received the Leslie S. Ray Hall of Fame Award (2015) and Businessperson of the Year Award (2012) from the Greater Beverly Chamber of Commerce, as well as Businessperson of the Year from the Salem Chamber of Commerce (2011). MATTHEW CHAPPELL (Associate Producer & Casting Director) is in his 6th season as resident Casting Director and Associate Producer for Bill Hanney’s North Shore Music Theatre and resident Casting Director for Theatre By The Sea. He is a former talent agent, casting associate, and photographer for Heyman Talent Agency, specializing in TV/film, commercials, runway, print and voiceovers and, for many years, worked as Associate Producer for Encore International, casting and producing shows for theme parks, cruise ships, and corporate events. Prior to making the leap to Casting and Producing, Matthew enjoyed a 20+ year career as a professional Actor/Singer/Dancer. ACTORS’ EQUITY ASSOCIATION (AEA), founded in 1913, represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. actorsequity.org NORTH SHORE MUSIC THEATRE (NSMT) Since 1955, NSMT has become one of the most attended theatres in New England, with approximately 250,000 patrons annually. With a national and regional reputation for artistic achievement, NSMT has received numerous industry awards including Elliot Norton Awards, IRNE Awards, the Rosetta Le Noire Award from Actors’ Equity, and the Moss Hart Award. NSMT produced the World Premiere of Memphis in 2003, the show went on to win four 2010 Tony Awards including Best Musical. Under the new ownership of Bill Hanney in 2010, NSMT continues to annually produce a musical subscription series and an annual production of A Christmas Carol along with celebrity concerts, children’s programming, and year-round education programs for all ages. |