MAURY YESTON (Music & Lyrics). Maury Yeston’s music and lyrics include his internationally acclaimed Broadway musicals Nine and Titanic (both of which earned him Tony Awards for Best Score and Best Musical, as well as Grammy nominations) and Grand Hotel (Tony nomination, Olivier Award). The Broadway revival of Nine, starring Antonio Banderas, won an additional Tony Award for Best Revival of a Musical. Yeston received Academy Award, Golden Globe and Critics Choice nominations for Best Original Song for the film of Nine, which featured Daniel Day Lewis, Sophia Loren, Penelope Cruz, Nicole Kidman and Judi Dench. Off-Broadway are his additional musicals: Phantom, Death Takes a Holiday and In The Beginning. He works in a wide variety of styles, from his symphonic Tom Sawyer – A Ballet in Three Acts, which premiered in Kansas City, Missouri as the first full-length ballet in our history to be created by an American composer and choreographer and based on an American literary masterpiece, to December Songs (a song-cycle commissioned by Carnegie Hall), his Cello Concerto premiered by YoYo Ma, his American Cantata commissioned by the Kennedy Center (premiered by the National Symphony Orchestra under the baton of Leonard Slatkin) and the concept album Goya – A Life in Song written for Placido Domingo. He resides in New York City.
PETER STONE (Book) was the first writer to win the Tony, the Oscar and the Emmy. With 15 Broadway productions to his credit, he received Tony Awards for his books to 1776, Woman Of The Year, The Will Rogers Follies and Titanic (all four also winning the Tony for Best Musical). His other Broadway credits include the musicals Two by Two (written with composer Richard Rodgers and lyricist Martin Charnin), My One and Only and Sugar. With Erich Maria Remarque he collaborated on the Broadway play Full Circle and in 1999 he adapted the book for the Tony winning revival of Annie Get Your Gun. The author of more than two dozen feature films, he won an Academy Award for his screenplay Father Goose,the Edgar (Mystery Writers of America Award) for his film Charade (remade in 2002), and the Christopher Award for the screen adaptation of his own musical, 1776. Among his other films are The Taking of Pelham 1-2-3, Mirage, Arabesque, Sweet Charity, Skin Game, Who's Killing the Great Chefs of Europe? and Just Cause. His television credits included the acclaimed CBS series The Defenders (earning an Emmy Award) and the libretto adaptation of George Bernard Shaw's Androcles and the Lion, with songs by Richard Rodgers (NBC, 1967; stage premiere, 2002). From 1981-1999, Mr. Stone was President of The Dramatists Guild, the national society of playwrights, composers and lyricists. KEVIN P. HILL (Director, Choreographer, Producing Artistic Director) began his theatrical career as dancer and actor, having appeared in the National Touring companies of Hello, Dolly! with Carol Channing, Leslie Uggams and Michele Lee, Anything Goes and the International Touring Company of A Chorus Line. Kevin has directed and choreographed more than 200 productions across America, including Disney’s Frozen, Sunset Boulevard, Jersey Boys (‘19 & ‘24), The Sound of Music, A Christmas Carol, Young Frankenstein, Mary Poppins, Sister Act, Mamma Mia!, Smokey Joe’s Cafe, Grease and others. He has had the privilege of working with such stars as Alice Ripley, Marin Mazzie, Jeannette Bayardelle, Joanne Worley, Kathleen Turner, Josh Groban, Jonathan Groff and Tony Award winner, Cady Huffman. In New York, he was the assistant to the director of On the Twentieth Century at the New Amsterdam Theatre and assistant to the choreographer on the revival of Guys and Dolls. Kevin has been nominated as Best Director/Choreographer for his work on Sunset Boulevard, Smokey Joe's Cafe, Rent, The Full Monty, Chicago, and Edwin Drood, and was awarded the NH Theatre Award for Best Choreography for West Side Story at the Papermill Theatre. Kevin has also been awarded Six Broadway World awards and two Motif awards for his productions of Mamma Mia!, Mary Poppins and Young Frankenstein. As a Professor of Dance, Kevin has been on faculty at Pennsylvania State University, Kansas State University and most recently The Boston Conservatory of Music. Kevin and his husband Matthew have created their own production company called, Chappell Hill Productions. Their first venture is co-producing the new Broadway musical Gun & Powder. Chappell Hill Productions is also the lead producer of a new medium of theatre called, Dance Night. Kevin is a proud member of SDC, AEA and a past member of Dance Masters of New England, Chapter 5. For a decade, he has held the role of Producing Artistic Director at North Shore Music Theatre and eleven years at Theatre By The Sea. MILTON GRANGER (Music Direction) returns to North Shore Music Theatre having previously music directed Disney’s Frozen, Jersey Boys ('24, '19), A Christmas Carol (’14 – ’18, ’21 - ‘23), Elvis: A Musical Revolution, The Full Monty, The Sound of Music, Buddy - The Buddy Holly Story, Rodgers + Hammerstein’s Cinderella, Smokey Joe’s Cafe, Sunset Boulevard, Hairspray, Jekyll & Hyde, Mame, 42nd Street, Young Frankenstein, The Music Man, West Side Story, Singin’ in the Rain, Mary Poppins, Saturday Night Fever, Anything Goes, Cats and Swing!. As pianist/conductor: Broadway: Mary Poppins, The Woman in White, Chitty Chitty Bang Bang, Cyrano: The Musical, and Camelot (with Robert Goulet). Vocal arrangements, “LoveMusik” directed by Hal Prince. National Tours: The Phantom of the Opera, Big, Sunset Boulevard, Camelot. International: West Side Story. Over 100 regional productions at North Shore Music Theatre, Baltimore Center Stage, Westchester Broadway Theatre and others. Work as composer/lyricist: Two First Prizes in National Opera Association new chamber opera competition; nine chamber operas, performed regularly throughout U.S. and Canada. Several produced musical plays, including Castle Walk (NYMF Next Link Selection), and Peter Rabbit and the Garden of Doom (winner, Actors’ Playhouse competition). miltongranger.com JACK MEHLER (Scenic & Lighting Design). Previous work with NSMT includes Scenery & Lighting for Beautiful: The Carole King Musical, Jekyll & Hyde (IRNE nomination), Singin’ in the Rain (2016), Billy Elliot The Musical, Miss Saigon (2013), Scenery for West Side Story (2003), and Lighting for A Christmas Carol ('02-'19, ’21-‘23; 2012 IRNE nomination), Annie, Buddy, Camelot (IRNE nomination), Children of Eden, Elvis: A Musical Revolution, Fiddler On The Roof (2024), 42nd Street, Funny Girl, Gypsy, Hairspray, High School Musical, Jesus Christ Superstar, The King and I, A Little Night Music, Little Shop of Horrors, My Fair Lady, Nine (IRNE nomination), Oklahoma! (2019), The Producers, Ragtime, Smokey Joe’s Cafe, Thoroughly Modern Millie, Tootsie, West Side Story (2016), Wizard of Oz, and Young Frankenstein. He received the 2012 (Elisabeth) and 2013 (Rebecca) Korean Musical Theatre Awards (Korean Tony) for Lighting Design of the Year. Other Theatre design credits include Walnut Street Theatre, Paper Mill Playhouse, Manhattan Theatre Club, Riverside Theatre, Cleveland Play House, Seattle Rep, Syracuse Stage, Weston Playhouse, The Working Theatre and WPA among many others. Dance: Alvin Ailey American Dance Theatre, Joffrey Ballet, Lar Lubovitch, San Francisco Ballet, Donald Byrd/Spectrum Dance, Hubbard Street Dance Chicago, Buglisi Dance Theatre, BalletMet, Ballet Memphis, Richmond Ballet and many others. Jack also provides owner's design representation for organizations building or renovating performance and rehearsal spaces and is a founding Board Member of ACT of Connecticut. ackmehlerdesign.com JEFFREY MEEK (Original Costume Design) has designed over 100 productions with Lyric Theatre of Oklahoma as the resident costume designer for the past 23 seasons. Other credits include work at Ohio Light Opera, Evan Bernardin Productions, Tulsa Opera, Casa Mañana Playhouse, Stage One, Eastman School of Music, Triad Theatre, Kids in America; Colossal Studios, Family Pirate Adventure, Adventure Theatre, OKC Philharmonic, Reduxion Theatre, Carpenter Square Theatre, Oklahoma Children’s Theatre, and Jewel Box Theatre. Film credits include Fingerprints, Pearl, and Agenda. ALEX BERG (Sound Design) is excited to return to North Shore Music Theatre! Alex is a freelance sound designer and mix engineer in the greater Boston area. Credits include shows at The Lyric Stage Company of Boston, ACT of Connecticut, Theatre by the Sea, Prescott Park Arts Festival, Barrington Stage Company, Kavinoky Theatre, and Shakespeare in Delaware Park. Thank you to the team at NSMT, and to my family, friends, and Lyn for all their love and support. PAMELA HERSCH (Projection Design) is a Mexican-born visual artist inspired by organic movement, particularly among and within nature's colors, patterns, and textures. Her artistic practice aims to create perspective-shifting experiences to foster a sense of human connection and awareness of how we impact each other and the world around us. Her collaborations with producers, artists, non-profits, art galleries, museums, and commercial companies have produced creative visual content from projection mapping installations and photography to music videos and live show visuals. In 2024, Pamela started running Installation Space, an art exhibition venue on Historic Eagle Street in North Adams, Massachusetts, steps away from MASSMoCA, one of the largest centers for contemporary visual art and performing arts in the United States. Installation Space has partnered with the Walkaway House to expand its public-facing Center of Gravity artist residency program on Eagle Street. Previous work at NSMT includes Disney’s Frozen. Pamela holds a B.M. in Electronic Production and Design and an M.A. in Creative Media and Technology from Berklee. RACHEL PADULA-SHUFLET (Wig & Hair Designer). Previous work at North Shore Music Theatre include Million Dollar Quartet, Tootsie, Disney’s Frozen, Fiddler On The Roof, Jersey Boys (‘19 & ‘24), Elvis: A Musical Revolution, The Full Monty, Escape To Margaritaville, The Sound Of Music, Beautiful: The Carole King Musical, Little Shop of Horrors, Buddy, Rodgers + Hammerstein’s Cinderella, Smokey Joe’s Cafe, The Bodyguard, Sunset Boulevard, Freaky Friday, and Oklahoma! Broadway credits include: Glass Menagerie, Waitress. Regional: American Repertory Theatre: Macbeth in Stride, Moby Dick (Elliot Norton Award winner- Best Design), Black Clown, Waitress, Fingersmith (Elliot Norton Award winner- Best Design), Natasha, Pierre and the Great Comet of 1812 (Elliot Norton award winner- Best Design), Marie Antoinette, and Crossing. Huntington Theatre Company: The Colored Museum. Rachel is the hair and makeup supervisor for Boston Ballet. REBECCA GLICK (Costume Coordinator & Additional Costume Design) is thrilled to be stepping into a new role here at North Shore Music Theatre! A stitcher/dresser with NSMT for a few years, Rebecca has designed for many theatres and educational programs around Boston. Her recent designs include Laughs in Spanish (Speakeasy Stage Company), The Full Monty (Umbrella Stage Company), and Sweeney Todd (Moonbox Productions, Elliot Norton Nomination-Outstanding Costume Design). She is the recipient of the Thomas Derrah Emerging Artist Award for her Costume Design of POTUS. Rebecca's educational designs can be seen throughout the year on the stages of Framingham High School, Weston Drama Workshop, Greater Boston Stage Company, and NSMT. She is also the designer for Refine Dance Studio's annual production of The Nutty Suite. STEPHEN MacDONALD (Production Stage Manager) is excited to be working on another production with North Shore Music Theatre after stage managing Million Dollar Quartet, Fiddler On The Roof, Jersey Boys (‘24), A Christmas Carol (’21 - ‘23), Elvis: A Musical Revolution, The Full Monty, Escape To Margaritaville, The Sound Of Music, Beautiful: The Carole King Musical, Kinky Boots, Little Shop Of Horrors, Buddy, Rodgers + Hammerstein’s Cinderella, Smokey Joe’s Cafe, and Mamma Mia! (‘21). Other recent credits include The Inheritance, People, Places and Things and Admissions with Speakeasy Stage Company of Boston, Mamma Mia! (‘21) at Theatre By The Sea, and TYA productions of Madagascar and A Year with Frog and Toad at North Shore Music Theatre. When not working professionally as a stage manager, Stephen spends his time directing and designing educational productions, teaching future generations of performing and technical theatre artists. ROBERT L. RUCINSKI (Assistant Music Director) is thrilled to be returning to NSMT. Past NSMT Music Director credits include Madagascar, Elvis: A Musical Revolution, Escape To Margaritaville, Curious George: The Golden Meatball, A Christmas Carol (‘19), A Year with Frog & Toad, School House Rock Live Jr. Past Assistant Music Director credits include Tootsie, Disney’s Frozen, Fiddler On The Roof, Jersey Boys (‘19 & ‘24), The Full Monty, The Sound of Music, Beautiful: The Carole King Musical, Kinky Boots, Little Shop of Horrors, Rodgers + Hammerstein’s Cinderella, Smokey Joe’s Cafe, A Christmas Carol (‘04 – ‘07, ‘10 – ‘18, ‘21- ‘23), Sunset Boulevard, Freaky Friday, Oklahoma!, Hairspray, Jekyll & Hyde, Peter Pan, 42nd Street, West Side Story, Singin’ in the Rain (‘06 & ‘16), Les Misérables, The Little Mermaid, The King and I, Forever Plaid, Seven Brides for Seven Brothers, Crazy for You, Cinderella (‘05-’06), Ain’t Misbehavin’, Damn Yankees, Camelot, Fame. Robert has been music director at many theaters throughout New England and teaches at several high school and university theater programs in the local area. A native of Jersey City, NJ, he now lives in Danvers, MA. More info at rucinskimusic.com DAKOTAH WILEY HORAN (Assistant Stage Manager) is thrilled to be back having worked as the Assistant Stage Manager on Million Dollar Quartet, Tootsie, Disney’s Frozen, Fiddler On The Roof, Jersey Boys (‘19 & ‘24), A Christmas Carol (‘16 – ‘19, ‘21 – ‘23), Elvis: A Musical Revolution, The Full Monty, Escape To Margaritaville, The Sound Of Music, Beautiful: The Carole King Musical, Kinky Boots, Little Shop Of Horrors, Buddy, Rodgers + Hammerstein’s Cinderella, Smokey Joe’s Cafe, Mamma Mia! (‘18, ‘21), The Bodyguard, Sunset Boulevard, Freaky Friday, Oklahoma!, Hairspray, Jekyll & Hyde, Peter Pan, Mame, 42nd Street, Evita, Young Frankenstein, Disney’s Beauty and the Beast, The Music Man, West Side Story, Spamalot and Singin’ In The Rain, and as the Production Assistant for Mary Poppins and Funny Girl. Some of her previous Stage Management credits include: Capital Repertory Theatre: Betrayal, Marvelous Wonderettes, Cactus Flower, 33 Variations, Leslie Uggams in Uptown Downtown, Man of La Mancha, andSingle Girls Guide. Pendragon Theatre: Clean House and Twelve Angry Men. She would like to thank her parents for instilling and encouraging her love of theatre, and to her friends and her North Shore family for always supporting her. ELIZABETH YVETTE RAMIREZ (Assistant Stage Manager) is delighted to return to North Shore Music Theatre after PSMing Tootsie & Disney’s Frozen earlier this season. Elizabeth is very active throughout New England and has worked with The American Repertory Theatre, City Ballet of Boston, Merrimack Repertory Theatre, Hanover Theater Rep, SpeakEasy Stage, Lyric Stage, Reagle Music Theater, Front Porch Arts Collective, Central Square Theater, Actors’ Shakespeare Project, Greater Boston Stage Company, New Repertory Theatre. In addition to theatre they also stage manage for ballet, dance, and corporate events; they also advise student stage managers at Wellesley College. Proud elected councilor for Actors' Equity. KERI SAFRAN (Dialect Coach). EMPIRE (New World Stages, dir Tony Winner Cady Huffman); Primary Trust; Harry Clarke; The Cake (all for Barrington Stage Co); 2.5 Minute Ride (Studio Theater); Benjamin Pasek as Oliver! (City Center Encores); Adam Silver in Straight Line Crazy (Hudson Yards); City of Light (Connelly Theatre). TV/Film: characters on Star Trek: Picard; Palm Royale; Fargo; 1923; The Staircase; The Blacklist; Grey’s Anatomy; The Night Agent, et al. As a performer Keri last appeared in the 2024 Tribeca Film Festival’s Lake George, opposite Shea Whigham & Carrie Coon, and on the NY stage in the revival of Morning’s at Seven. @kerisafran; www.kerisafran.com BILL HANNEY (Owner/Producer) is honored and proud to have been responsible for the re-opening of the nationally renowned North Shore Music Theatre in 2010. Aside from his work operating North Shore Music Theatre, one of Bill's crowning achievements was the 2007 purchase and re-opening of Theatre By The Sea, a landmark 500 seat professional summer theatre and restaurant, which is entering its seventeenth successful year of operation in Matunuck, RI (theatrebythesea.com). Bill was a co-producer on the recent Broadway production of The Shark is Broken, and recently co-produced a New York City workshop of The SeaView Nursing Home for the Newly Deceased. Bill was an investor in the recent Tony Award-winning Broadway revival of Pippin, as well as the First National Tour. Bill is currently expanding his group of live theatres. He began his career in show business at age 19, leasing and developing movie theaters, including his first multiplex in Quincy, Massachusetts. Before long, he was booking rock shows (Jefferson Starship, Rush) and other types of live entertainment, which eventually led to the presenting and producing of Broadway productions. One such show was an appearance by the legendary mime artist, Marcel Marceau. As president of Broadway Productions, Bill presented national tours such as Annie, Amadeus, Dancin', Peter Pan, The Rocky Horror Show and Mark Twain starring Hal Holbrook, throughout New England including Worcester, Springfield, Portland, Maine and Boston. Throughout his career, Bill has stayed focused on his movie theatre chain having bought, built, owned, operated, and sold more than 30 cinemas. His company, Entertainment Cinemas, currently operates six movie complexes in three states. Bill is currently Chairman of the Board of the Theatre Owners of New England. Bill has been named to the North Shore Top 100 by the North Shore Chamber of Commerce. He received the Leslie S. Ray Hall of Fame Award (2015) and Businessperson of the Year Award (2012) from the Greater Beverly Chamber of Commerce, as well as Businessperson of the Year from the Salem Chamber of Commerce (2011). MATTHEW CHAPPELL (Associate Producer & Casting Director) is in his 6th season as resident Casting Director and Associate Producer for Bill Hanney’s North Shore Music Theatre and resident Casting Director for Theatre By The Sea. He is a former talent agent, casting associate, and photographer for Heyman Talent Agency, specializing in TV/film, commercials, runway, print and voiceovers and, for many years, worked as Associate Producer for Encore International, casting and producing shows for theme parks, cruise ships, and corporate events. Prior to making the leap to Casting and Producing, Matthew enjoyed a 20+ year career as a professional Actor/Singer/Dancer. ACTORS’ EQUITY ASSOCIATION (AEA), founded in 1913, represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. actorsequity.org NORTH SHORE MUSIC THEATRE (NSMT) Since 1955, NSMT has become one of the most attended theatres in New England, with approximately 250,000 patrons annually. With a national and regional reputation for artistic achievement, NSMT has received numerous industry awards including Elliot Norton Awards, IRNE Awards, the Rosetta Le Noire Award from Actors’ Equity, and the Moss Hart Award. NSMT produced the World Premiere of Memphis in 2003, the show went on to win four 2010 Tony Awards including Best Musical. Under the new ownership of Bill Hanney in 2010, NSMT continues to annually produce a musical subscription series and an annual production of A Christmas Carol along with celebrity concerts, children’s programming, and year-round education programs for all ages. |